Le miroir de la réflexion Painting by Charles Carson

Fine Art Magazine – New York City,

USA – Winter 2012/2013

by Victor Forbes

VIEWING A CHARLES CARSON painting is akin to reading a Hemingway short story. A Clean, Well-Lighted Place comes to mind. Both are exquisitely sparse, expertly rendered. Immersed in a collection of Carsons in a gallery or museum is like having a full-length novel unfold right before your eyes. Indeed, the artist himself notes, “My painting is a spontaneous projection of that which I feel. I stand before my canvas like an author before his blank page.” Hemingway, of course, is an undisputed giant of literature while Carson is peaking in mid-career success. The legendary author is known, perhaps to his detriment, as a “man’s man” and the artist, in his way fits that mold. He is strong and confident, succinct in his manner on canvas and in person. Dedicated to his cause, he spares no effort to manifest brilliance in every brush stroke, describing his energy as emerging from an “unexplainable force, trance-like”, that causes one to surpass limitations. As Hemingway developed a new style of writing that is oft-imitated, never attained, Carson has created a new way of painting that takes a similar heightened position in the mainstream of contemporary art, a form that is universally accessible but impossible to be duplicated by another. A language all his own forever to be known as “Carsonism.”

• Nationality: CANADA
• Date of birth : 1957
• Artistic domains: Works by artists with a certified artist value, Works by professional artists,
• Groups: Certified Artists Professional Artist Contemporary Canadian Artists