Kairos-80x80 (2018) Painting by Baptiste Vanweydeveldt

Not For Sale

Seller Baptiste Vanweydeveldt

Certificate of Authenticity included
This artwork appears in 4 collections
  • Original Artwork Painting, Acrylic
  • Dimensions Height 31.5in, Width 31.5in
  • Categories Paintings under $1,000 Outsider Art
Cette peinture issue de la série "rouge" a été principalement réalisée en 2011 sur chassis "fait maison" avec une toile rouge enduite de colle de peaux. Des retouches subsidiaires ont été faites jusqu'en 2018, présentées tyrois fois au public dans le cadre de salon et exposition en galerie. La toile est volontairement[...]
Cette peinture issue de la série "rouge" a été principalement réalisée en 2011 sur chassis "fait maison" avec une toile rouge enduite de colle de peaux.
Des retouches subsidiaires ont été faites jusqu'en 2018, présentées tyrois fois au public dans le cadre de salon et exposition en galerie.
La toile est volontairement percée (voir détail)...

"Je tente d'atteindre le moment où c'est le tableau qui te regarde..."
"Pour moi le langage artistique n'a rien àvoir avec la communication , c'est en nous que nous
recherhcons ce qui est à révéler..."
Baptiste Vanweydeveldt

Related themes

PeintureAcryliqueCollageBaptiste.vwCercles

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Visual artist, born in 1978 in Lille. currently lives in Caen, France. I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards[...]

Visual artist, born in 1978 in Lille. currently lives in Caen, France.

I situate my work between a laboratory of forms (search for volume through drawing, painting and sculpture) and a tendency towards DIY (recycling of found objects and materials, transformation of their uses, reinvestment of their signs and questions about their subjects). I approach several mediums at the same time in order to extend the creative process to other fields of research: anthropology, natural sciences, etc.
The pooling of the two works like a small world with its own energy flows.
Usually I start with a series of sketches, notes and diagrams. I also rely on my reading, on a lot of images, which I feed on with bulimia. I exhaust their meanings until there is emulsion. This may explain the dreamy but also saturated appearance of my installations. Without cultivating a pessimistic view of the world, despite everything, I question our future through figures that are close to us, towards an imaginary that I wish to be collective; it is an opening onto a composition with multiple perspectives.
My recurring themes are environmental around the domus (house, private sphere/public sphere, hospital, etc.) and the extended living, according to a spatial questioning centered on the flow of energies, on magnetism and a set of enigmatic correlations.

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