Origine (2022) Painting by Aziza Siankam

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  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 23.6in, Width 23.6in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Figurative Nature
Série 2/4 “Memory” Representation figurative de la profondeur sous-marine. “La mer est à l’origine du monde. Le vent contient toutes les mémoires de la mer. Si l’on pouvait mieux explorer l’univers on s’apercevrait qu’il ressemble à la mer. Tous sont des mémoires de l’eau et de ses êtres vivants. Nous sommes l’univers, nous[...]
Série 2/4 “Memory”
Representation figurative de la profondeur sous-marine.
“La mer est à l’origine du monde.
Le vent contient toutes les mémoires de la mer. Si l’on pouvait mieux explorer l’univers on s’apercevrait qu’il ressemble à la mer.
Tous sont des mémoires de l’eau et de ses êtres vivants. Nous sommes l’univers, nous le remarquons si nous voulons vraiment le voir.”

Inspirations : Kaijū no Kodomo / Les enfants de la mer

———-

Series 2/4 “Memory”
Figurative representation of underwater depth.
“The sea is the origin of the world.
The wind contains all the memories of the sea. If we could better explore the universe we would realize that it resembles the sea.
All are memories of water and its living beings. We are the universe, we notice it if we really want to see it.”

Inspirations: Kaijū no Kodomo / Children of the Sea

Related themes

NatureMerOceanVieMarine

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Young painter and also a student in print graphics in magazine publishing, based in the Paris region, working mainly in acrylic on canvas. I started painting during my prep in graphic art, learning the craft[...]

Young painter and also a student in print graphics in magazine publishing, based in the Paris region, working mainly in acrylic on canvas. I started painting during my prep in graphic art, learning the craft on my own, at first on small dimensions, then out of dissatisfaction and admiration of large formats, with passion and self-criticism, I worked my technique as best I could , for best results what I wanted to express.


Trying to find my style of painting, I experimented with different methods that I had long admired in Impressionist painters, in order to transmit nature as I perceive it, to transpose my emotions, my thoughts and what I am seeing through landscapes. surrounds by hoping to make feel the same feelings and emotions to those who will see my art. Now it is therefore through figurative art that I evolve in painting. Liking the diversity between my inspirational subjects, such as films, social events, climatic, my personal life, poems or natural landscapes, my paintings are then very varied because it sums up his personality.

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