TAPISSERIE "LES ESPRITS DE LA NATURE N°1, BRODERIES MAIN. (2021) Textile Art by Annesailor

Textile Art on Canvas, 55.1x39.4 in
$2,834.57
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Avec Les esprits de la nature n°1 je vous propose de vous relier à l'esprit de l'animal de votre choix. Sont représentés l' esprit du chien ,de l'alcyon, de l'escargot, du faon, du lapin, du poisson, de l'insecte. Et pourquoi pas choisir un jour de s'inspirer de l'attitude de l'un, et le lendemain d'un[...]
Avec Les esprits de la nature n°1 je vous propose de vous relier à l'esprit de l'animal de votre choix. Sont représentés l' esprit du chien ,de l'alcyon, de l'escargot, du faon, du lapin, du poisson, de l'insecte. Et pourquoi pas choisir un jour de s'inspirer de l'attitude de l'un, et le lendemain d'un autre?

Un art spirituel pour qui désire expérimenter chaque jour à une version de soi, art figuratif cette tenture murale peut être montée sur châssis. Dans ce cas, j’ai conçu cette oeuvre brodée et spirituelle de façon à ce que l’on l’appréhende dans le sens de l’animal choisi à un moment donné! Si la version suspendue au mur est votre préférée, une gaine de tissu est prévue à l'arrière pour enfiler la branche que vous aimerez.
Cette oeuvre est emprunte de magie et de féerie, par les harmonies des tons bruts et brillants, par les animaux représentés simples, bruts, enfantins.
Pour réaliser cette tapisserie murale, j'ai appliqué et juxtaposé des chutes de tissus d'éditeurs sur une grande toile de jute lavée. Puis à partir des formes existantes, j'assemble et je place. Puis je commence à broder et les graphismes s'imposent. Je ne dessine rien sur la toile au préalable. Points après points l'histoire se déroule.
J'utilise différentes techniques et en particulier la technique de rapiècage japonaise sashiko pour l'application des tissus. Elle permet de fixer à petits points sur toute la surface les tissus. Je l'interprète librement et ne fait aucune dessin avec la broderie.
Je brode à l'aide de fils de jute que je prépare au préalable. Parfois, je les teints. Et je brode également avec des fils dits de lurex, des fils étincelants.

Presque à la fin, j'entoile complètement la tenture. C'est à dire que je double à l'arrière, avec une autre toile de jute. Et de ce fait, un longs travail d'entoilage commence , en brodant chaque centimètre des épaisseurs ensembles. Car cette étape est aussi un second passage de broderies: j'utilise des fils différents y compris des fils naturels ton sur ton, et des points différents.

Related themes

Tapisserie ModerneTenture MuraleArt BrutArt TextileArtspirituel

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TECHNIQUES AND ARTISTIC APPROACH Anne is a visual artist, whose favorite material is textiles, and more particularly natural materials, linen, jute, hemp, often recycled which are transformed through[...]

TECHNIQUES AND ARTISTIC APPROACH

Anne is a visual artist, whose favorite material is textiles, and more particularly natural materials, linen, jute, hemp, often recycled which are transformed through embroidery , application, patchwork, tapestry, dyes, and paints. Nothing is forbidden and everything is possible to serve an idea, and the mixing of materials and techniques is plural.

It's the work of a human animated by universal questions related to our incarnation on this earth. Through sculpture, embroidered paintings, installation, she creates in the material, the non-palpable, the awareness that emerges when the fact is admitted that we are the creators of our lives and that we understand that we are steeped in resistances, limitations that hinder our personal development..

Anne imagines works that are a hymn to life, that accompany on the path towards oneself and towards the other. It is a sharing of a research on oneself which could be a kind of accompaniment in order to achieve this famous happiness, this grail that everyone desires.

Works like reminders to conscious presence, every day.

Our joy in living always depends on our state of mind. Our happiness, our choice to honor ourselves in order to honor the other and experience the harmony of a benevolent future world in unity.

Paintings, sculptures that remind us of the awareness of the present moment, and the contentment of being alive.

The works she creates are an invitation to always be a better version of ourselves, in our divine humanity.

TRAINING

Studies of Letters to the Sorbonne, plastic art, decorative painting, body casting, tapestry, graphics, tapestry... and above all self-taught in life, the urgency of materializing a concept in matter requires curiosity and an experimentation always renewed, according to the requirements of the material, the shape, the dimension, the learning of new techniques takes place progressively.

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