Le couturier et le prince (2023) Painting by Anna Grazi

Acrylic on Paper, 7.9x7.9 in
$179.98
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Sold by Anna Grazi

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 4 collections
"Le couturier et le prince" est une œuvre sur papier épais noir réalisée en technique mixte - acrylique, encre, marqueur, collage - faisant partie de la collection des personnages imaginaires. Vaste et régulièrement étoffée, elle déroule ses personnages sortis tout droit de mon imagination. Parfois d'un autre temps, ces derniers sont[...]
"Le couturier et le prince" est une œuvre sur papier épais noir réalisée en technique mixte - acrylique, encre, marqueur, collage - faisant partie de la collection des personnages imaginaires. Vaste et régulièrement étoffée, elle déroule ses personnages sortis tout droit de mon imagination. Parfois d'un autre temps, ces derniers sont vêtus de mille détails répétés, de fines dorures réalisées à la pointe fine et au pinceau et, trait commun à chacun d'entre eux, le mystère qui règne autour de leur identité. Anonymes et statiques, leur solennité est incontestable et réellement perceptible par le regard du visiteur. A lui d'imaginer la petite histoire liant les êtres, à lui de créer son propre récit et ainsi tenter de découvrir les mystères autour de l'identité de ceux qui ne dévoilent quasiment rien...

Le plus grand soin sera apporté lors de l'emballage de l'œuvre (papier bulle, cartons épais...). La livraison sera confiée à La Poste en Colissimo avec assurance et suivi ou ) un transporteur selon les exigences.
L'œuvre devra être encadrée et protégée d'un verre.
Toute reproduction est interdite.
Création originale Made in Corsica.

Related themes

PeinturePortraitMenHommesPrince

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Born in 1963 in Corte, in the mountains of central Corsica, Anna exhibited for the first time in 1979 during a competition. With its landscape, it won first prize. A few years later, she received the 1st prize[...]

Born in 1963 in Corte, in the mountains of central Corsica, Anna exhibited for the first time in 1979 during a competition. With its landscape, it won first prize. A few years later, she received the 1st prize for young artists at the XIIIth Salon of the Michelangelo Foundation of Poggio de Venaco.
The artist was most probably attracted to painting thanks to the discovery, very young, from the box of colors, easel and sketches belonging to an uncle who died prematurely. This discovery, felt as a legacy, a transmission, transformed into an energy to keep, work and bring to life.

Parallel to painting, which takes her to the island of galleries in salons and art meetings, Anna devoted herself to legal studies at the University of Corsica, which opened the doors to another passion, journalism. Between two freelance jobs, she collaborates on various local and national publications.
For a long time bearing the nickname of sad painter, due to her choices of colors and dark themes, in recent years she has experienced a pictorial surge by bringing new touches and colors . Moreover, since 2012, the date of her first participation at the Salon d'Automne in Paris, numerous fairs and galleries have requested her. Also, Aix en Provence, Marseille, Aulnay sous bois, Le Castellet, Villeneuve le roi, Sorèze (receives 1st prize 2014), Montauban, Montpellier, Saint Frajou (1st Prize 2015 at the International Art Resilience Salon), Toulouse (Artoulous' ; Expo 2017), Paris - Business Art, Espace Cardin, Art en capital, Grand Palais - welcomed her. Also, during group exhibitions, Anna had the opportunity to exhibit in New York (2013, Montserrat Gallery), in Brussels (2014, Galerie Bog-Art), London (5 th Base Gallery), Brugge (European Fair), or even in Cantanhede in Portugal (European Fair) and in China on the occasion of a traveling exhibition lasting several months across the country (2016). ..

In perpetual movement, Anna cannot be classified in a category, a very specific genre. His work continues to evolve according to his moods, inspirations and improvisations, ranging from revisited figurative, to abstraction, through geometric variations, unstructured figurative and figurative of imaginary tendencies. Impossible to impose a direction, a line on it. The freedom and choice of styles in her creations is the most beautiful trademark of the woman who regularly provides support and contribution to humanitarian and charitable associations.

Member of the Taylor Foundation.

Member of the Taylor Foundation.

Member of the Taylor Foundation.

Member of the Taylor Foundation. /p>

Member of the Art Resilience Movement.

I-CAC certification. Certified and listed painter. Official certification certificate No. 018/2542

The Artist was highlighted in an article in Artmajeur Magazine:

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