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VVF Saint Jean Pied de Port Painting by Alain Elshocht
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
1101 px | ||
1500 px |
Dimensions of the file (px) | 1101x1500 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Pigments
on Paper
- Dimensions Height 8.3in, Width 11.7in
- Framing This artwork is not framed
- Categories Paintings under $500
Related themes
Vous pouvez trouver mes dernières réalisation sur mon blog "lestoilesdalain" ...
Un conseil avant d'aller plus loin : n'hésitez pas à regarder les détails dans les zooms en cliquant sur la vignette ...
Aussi loin que je me souvienne, j'ai toujours été attiré par la représentation picturale. A l'école primaire, au lieu de coller une image pour illustrer une leçon d'histoire, je recopiais l'illustration d'un livre.
Plus tard, j'ai découvert l'huile. Sans aucune formation, j'ai commis quelques toiles puis, la vie professionnelle a pris le dessus et pendant 30 ans, les projets de peinture ne sont restés que projets.
Un changement de vie m’a amené ici, en Poitou et mon épouse a eu la bonne idée de m’offrir un coffret (en 30 ans, mes tubes avaient eu le temps de dépérir) et me pousser dans une association où enseigne Michel Bona. Ce fut mes véritables débuts dans la peinture. L’enseignement et les conseils de Michel Bona m’ont permis de m’exprimer et la retraite me donne le temps que je n'ai pas eu avant.
Belge d'origine, je suis logiquement influencé par la peinture flamande pour les clairs-obscurs et par le surréalisme de René Magritte et Paul Delvaux. Pour ce qui est de la technique, je travaille parfois l'esquisse à l'acrylique blanc sur fond noir avant de terminer à l'huile. L'huile car daltonien, et ayant donc quelques difficultés avec certaines couleurs, elle me donne le temps de revenir et corriger une couleur mal élaborée. De plus, l'huile donne un éclat particulier aux couleurs.
Continuellement, Michel nous enseigne de nouvelles techniques, de nouvelles approches de la peinture. C'est ainsi que mes dernières toiles m'emmènent vers ce qui sera peut-être mon univers pictural.
- Nationality: FRANCE
- Date of birth : 1951
- Artistic domains:
- Groups: Contemporary French Artists