栖犀·英雄物语(松石绿色)The story of the rhinoceros (2017) 雕塑 由 Zhao Yongchang

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An accidental trip to a safari park brought me back to focus on these creatures in real life. One of the most impressive is an African rhino, which lay motionless on the ground not far from me, and its sturdy and unique shape deeply attracted my attention. The birth of this animal sculpture went through a slow, iterative process of revision and adjustment. [...]
An accidental trip to a safari park brought me back to focus on these creatures in real life. One of the most impressive is an African rhino, which lay motionless on the ground not far from me, and its sturdy and unique shape deeply attracted my attention. The birth of this animal sculpture went through a slow, iterative process of revision and adjustment. During this period, my ideas and means of expression were constantly changing, and the sculptural language began to turn to traditional linear shapes, trying to pursue an oriental style of freehand interest. When it was finally implemented into a figurative rhino image, he was very different from what I saw and wanted to do at first. Perhaps this kind of experimentation and uncertainty is the greatest joy for a budding creator.
The state of mind at that time caused me to separate the animal image in my hand from real life. I tried to talk to him with admiration, and imagined him as a lonely hero who took a temporary break.
Everyone has a unicorn in their hearts. His gigantic horn is a sign of strength and merit, he is powerful and invincible, and at the same time he is a mortal. He is going to challenge those secular forces, old and new, those who are irrational and conformist. The most powerful force is not used to attack, but an implicit explosive force, a kind of innate dignity and strength.

👦Zhao Yongchang, born in 1992, is a contemporary Chinese sculptor. He graduated from China Academy of Art (famous Chinese artists Zao Wou-ki, Ai Weiwei's father Ai Qing, Chu Dequn, and Wu Guanzhong all graduated from here).
His sculpture works have been exhibited at the Art Expos in China for seven consecutive years and have been sold at China Guardian Auctions many times. His sculpture works are represented by many galleries,and his works is in many private collections worldwide. It is worth nothing that, in the past two years, enterprises such as PROYA, Alibaba, TMTPOST, K-BOXING, and Huawei have successively collected his sculpture works. Undoubtedly,he is a potential stock among the sculptor born in the 1990s.

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赵永昌是一位中国当代艺术家,以其对东方造型语言的创新探索而闻名。赵永昌 1992 年出生于中国,毕业于中国美术学院雕塑与公共艺术学院。在他的职业生涯中,他获得了无数荣誉,包括第八届浙江青年艺术展优秀奖、香港青年设计奖 (YDA)、中国美术学院毕业创作银奖和林风眠创作奖。. 赵无极的作品在全国各地广泛展出,并曾参加第七届上海青年艺术博览会、上海国际艺术博览会、苏州艺术博览会、厦门艺术博览会、深圳艺术博览会等著名当代艺术博览会。他的艺术深受东方美学气质的影响,尤其是古典东方雕塑中的“圆”的概念。这种影响体现在他强调线条和形状,体现了“圆”的智慧,体现了和谐和连续的流动。. [...]

赵永昌是一位中国当代艺术家,以其对东方造型语言的创新探索而闻名。赵永昌 1992 年出生于中国,毕业于中国美术学院雕塑与公共艺术学院。在他的职业生涯中,他获得了无数荣誉,包括第八届浙江青年艺术展优秀奖、香港青年设计奖 (YDA)、中国美术学院毕业创作银奖和林风眠创作奖。

赵无极的作品在全国各地广泛展出,并曾参加第七届上海青年艺术博览会、上海国际艺术博览会、苏州艺术博览会、厦门艺术博览会、深圳艺术博览会等著名当代艺术博览会。他的艺术深受东方美学气质的影响,尤其是古典东方雕塑中的“圆”的概念。这种影响体现在他强调线条和形状,体现了“圆”的智慧,体现了和谐和连续的流动。

赵无极的雕塑作品中,常常刻画出超越年龄的成熟骑士形象,神态忧郁却又深思。这些人物性格沉稳内敛,体现了赵无极对深层权力关系的探索和自我反思。他们身上体现出一种侠义精神,能够表达和做超出赵无极自身能力的事情,是他内心世界的延伸。

赵氏认为艺术具有揭示真理、体现善、启发美的力量,将艺术创作视为直面人间阴暗面的手段,提供真实的情感基础、引导价值观,并通过美学提供心灵的净化,其作品旨在促进心灵的互动与联系,不断为创造更丰富的精神世界做出贡献。


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