通过购买选项租赁Olga Suvorova的作品“ Set Of Two Bottles With Running Glass ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
I'm visual artist, working in ceramics with а strong interest in research on earth material. I was born 1977, USSR, I have a background in computer science, and after getting two children, I changed my professional path. I began my artistic practice with evening classes at Saint-Petersburg Art Academy and went to the St Petersburg school of Fashion, after graduation, I focused more on Ceramic art and research. I took classes in local architectural ceramics studio, completed a course in ceramic chemistry.
I research natural raw materials, compatibility and limits of using different clay bodies(porcelain, rough chamotte clay bodies, stoneware, earthneware). I am inspired by discoveries in glaze chemistry. I researched different firing processes – saggar reduction in an electric kiln, chemical reduction, and pit-fire. I sculpt human heads, draw them on vases, and throw futuristic-shaped vessels. My ceramic heads connect to my research on how to transform characters surrounding me to untimely form. I'm encouraged by traditional Asian ceramics, Italian majolica, contemporary ceramic art connecting to experiments with ceramic materials.
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