通过购买选项租赁Tamás Gyebrovszki的作品“ The Nohab Engine ”
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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
As a child, my favourite activity was drawing. I used to draw everywhere: figures on sticky notes, sailboats on sheets of paper, animated scenes on the edges of the pages of my textbooks, or beautiful women secretly on my desk with graphite, and I corrected the mistakes with my finger. My father was a painter who, in the fifties, learned from the painter Lajos Luzsicza, who was the director of the Budapest Art Gallery, Hungary. I feel that I got the love of drawing from my father. I went to a technical field, where although there was representation, but not in an artistic way, so I had few opportunities to create. In 1997, I obtained a degree in IT engineering, and after that I turned to drawing again, I also flirted with painting. Digital drawing and painting were my first artistic experiments. In 2018, I started visiting art camps in different places in Hungary. My first masters were Marianna Bottyán and István Cene gál, to whom I owe a lot: they helped me a lot in learning professional skills, technique, knowledge of materials and, for example, in composing pictures. The camps gave me a strong inspiration to learn painting as a profession and to develop my own creative art. In 2021, I started to study at Szamalk-Salezian High School, (professional ID: 02134002). I created hundreds of jobs during the training. During my school years, I further developed digital painting under the guidance of Zoltán Kovács János, as well as created pictures with many charcoal, graphite, pastel chalk and ink drawing techniques under the supervision of many art teachers. I also created a large number of acrylic, watercolor and oil painting techniques. I also learned fresco, secco and icon painting techniques under the guidance of Andrea Cecíllia Szabó. My exam painting was Florence - Ponte Vecchio. I graduated in 2023 with excellent results. I live in Budapest and the built environment has a great influence on me. In addition to the picturesque representation of buildings and machinery, I am also interested in creating impressionistic landscapes. I take many photographs for the studio work, which I eventually create as a painting. I like to paint both in the studio and en plein air.
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