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常见问题
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
关于作者
Born in Zabrze Poland in 1981 into a working class family, Tomas was re-interpreting the world around him through drawings and sculpture from a very early age. "We were creative kids making things seemingly out of nothing and always in the most animated form" says the artist.
Now based in Barcelona and inspired by the light of the mediterranean and the animated Catalan culture, his works have been well received by an appreciative public and expectant critics alike.
His paintings and sculpture make whimsical comment on todays contemporary society and together with a conceptual and abstract approach, he succeeds in creating works that both fascinate and draw the eye.
These meticulously planned works resound and resonate with images created from the fantastical realm. By creating situations and breaking the passivity of the spectator, Tomas invites the observer to become part of the art as a kind of added component. "Art is entertainment" he says "people need to be able to touch and be touched by the work as well as to interact with the it”. The motivation behind a lot of his work is based on inspirational situations, visions that reflect a sensation of in-disputability and serene contemplation, combined with subtle details of the odd or eccentric and also humoristic elements too.
By using popular themes such as sex, sexuality, family structure and violence, he finds that human movement reveals an inherent awkwardness that echoes our own vulnerabilities. Tomas also considers movement as a metaphor for the inward seeking man or woman who experiences a feeling of loss of direction. By applying abstraction and exagerating the subjects emotion expression, he succeeds in increasing the dynamism and impact of the piece.
"When painting or sculpting figures my intention is always to express a truth, an immediate reality, from joy to pain and every emotion in between. I want my creations to breathe, because when they breathe they resonate, and when they resonate they can speak"
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