Where I Cannot Hide (2025) 绘画 由 Zakhar Shevchuk

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“Where I Cannot Hide” is a dynamic, emotionally charged painting that captures a solitary figure in a forward-bending position – poised like a swimmer before the dive. But this is no athletic gesture. Zakhar Shevchuk invites us to see it as a visual metaphor for self-confrontation, vulnerability, and the psychological pause before reckoning. Rendered [...]
“Where I Cannot Hide” is a dynamic, emotionally charged painting that captures a solitary figure in a forward-bending position – poised like a swimmer before the dive. But this is no athletic gesture. Zakhar Shevchuk invites us to see it as a visual metaphor for self-confrontation, vulnerability, and the psychological pause before reckoning.

Rendered in acrylic and spray paint, the figure is half-emerged from abstraction – its form shaped by urgency and tension rather than anatomical clarity. Influenced by Carl Jung’s concept of the shadow self, Shevchuk uses color, gesture, and fragmented outlines to reflect the dualities we carry: the mask and the truth, the performance and the soul.

Painted in 2025 (70x60x2 cm), this original work is currently for sale, ideal for collectors of neo-expressionist, conceptually rich contemporary art.

相关主题

Acrylic PaintingFigurative AbstractBent FigureExpressive PoseSelf Confrontation

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Zakhar Shevchuk is a young professional painter and draftsman, he holds a master in arts degree from the National Academy of Fine Arts and Architecture (Kyiv, Ukraine) and now himself teaches at the academy. His [...]

Zakhar Shevchuk is a young professional painter and draftsman, he holds a master in arts degree from the National Academy of Fine Arts and Architecture (Kyiv, Ukraine) and now himself teaches at the academy. His artworks are held in public and private collections worldwide, furthermore, he often participates in various public projects, such as painting murals and other monumental installations.

With years Zakhar's artistic style moved away from academic realism (which always tended closer to expressionism) and towards the style that in somewhere on the edge between figurative art and abstraction. In many of his works, even those that may seem as fully abstract ones, you will find some elements that were intentionally added, aiming to trick your brain into believing that you have finally found something recognisable, something that matches the reality, but then you suddenly loose it, starting the search over and over again.

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丙烯在帆布上 | 28.4x24.4 in
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