There is a Boat Port in the Village (2024) 绘画 由 Yuriy Suprunchuk

油在纸板上, 7.9x11.8 in
US$487.5
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  • 原创艺术品 (One Of A Kind) 绘画, 油 在纸板上
  • 外形尺寸 高度 7.9in, 宽度 11.8in
  • 艺术品状况 艺术品完好无损
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  • 分类 画作 低于US$500 印象派 农村
The painting "There is a Boat Port in the Village" beautifully captures the essence of rural life along the riverbank, where nature and human activity coexist in perfect harmony. Executed in oil on cardboard, the artist skillfully conveys a sense of peace, nostalgia, and timelessness, immersing the viewer in the quiet rhythms of village life. The foreground [...]
The painting "There is a Boat Port in the Village" beautifully captures the essence of rural life along the riverbank, where nature and human activity coexist in perfect harmony. Executed in oil on cardboard, the artist skillfully conveys a sense of peace, nostalgia, and timelessness, immersing the viewer in the quiet rhythms of village life. The foreground is dominated by a group of wooden boats, gently floating on the calm, reflective water. Their weathered hulls suggest years of faithful service, possibly used for fishing, transportation, or leisurely journeys along the river. The reflections of the boats shimmer on the water's surface, distorted by subtle ripples, adding depth and dynamism to the scene. A few rocks and patches of tall grass frame the water’s edge, emphasizing the organic beauty of the riverbank. A rustic wooden dock, slightly worn and uneven, extends into the river, serving as a connection between land and water. The structure, though simple, plays a crucial role in the composition, guiding the viewer’s eye deeper into the painting. The dock invites the imagination to wander—perhaps picturing a villager stepping onto a boat for a morning fishing trip or returning home after a long day on the water. Beyond the river, the landscape opens up to a picturesque village bathed in warm, golden light. The houses, with their sloping roofs and earthy tones, blend harmoniously with the surrounding fields and trees. The rustic architecture suggests a peaceful, self-sufficient community, where life moves at a slower, more deliberate pace. The soft brushstrokes used to depict the houses and vegetation create a sense of warmth and tranquility, reinforcing the idyllic atmosphere. The sky above is a delicate mix of muted blues and grays, suggesting the subtle shifts of the weather. Perhaps the painting captures the moment before dusk settles in, when the golden light of the setting sun casts a soft glow over the landscape. The interplay of light and shadow enhances the overall mood, lending the scene a sense of intimacy and nostalgia. The artist's technique is expressive yet controlled, with rich, textured brushstrokes that capture the essence of each element—whether it's the rough surface of the boats, the smooth reflections in the water, or the windswept grasses along the shore. The careful balance of color and contrast further enhances the composition, creating a visual harmony that makes the painting both inviting and deeply evocative.

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ПейзажПриродаРекаБерегЛодка

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印象派 пейзаж природа река берег лодка причал луг деревня сельский пейзаж деревенские дома сельская жизнь
艺术家表示Ukrainian Vintage
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Yuriy Suprunchuk 肖像
Yuriy Suprunchuk
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Yuriy Suprunchuk is a Ukrainian painter, born on April 11, 1961, in Zhytomyr, Ukraine. He received his formal art education at the Zheleznogorsk Art School (Russia), graduating in 1982, where he studied under [...]

Yuriy Suprunchuk is a Ukrainian painter, born on April 11, 1961, in Zhytomyr, Ukraine. He received his formal art education at the Zheleznogorsk Art School (Russia), graduating in 1982, where he studied under V. Chukuev and E. Nikulin. In 2002, he became a member of the National Union of Artists of Ukraine.
His artistic journey began in early childhood, when a moment of watching his mother paint sparked a deep fascination with art. Suprunchuk recalls how, as a small child, he once stayed up all night painting after being inspired by the scene of his mother working on a composition.
He later studied at the Kharkiv State Pedagogical Institute, where he not only refined his technical skills but also acquired deep theoretical knowledge and art teaching methodology. Under the mentorship of distinguished professors, he developed a strong foundation in both classical and contemporary Ukrainian art traditions. As a student and later as an educator himself, he placed a high emphasis on nurturing the individual talent and expression of his pupils.
Yurii Suprunchuk’s creative style blends realism with elements of romanticism and fantasy, often inspired by Ukrainian folklore, landscapes, and national cultural identity. His compositions are notable for their philosophical undercurrents and metaphysical dimensions. In his works, one can often find abstracted objects, symbolic figures, and stylized interpretations of natural forms.
His paintings are characterized by rhythmic compositions, balanced use of light, and expressive color schemes. He often explores existential themes and the metaphysical presence of the human spirit.
Suprunchuk’s creative approach is introspective and emotional, yet rooted in structured form. His works frequently portray female figures, domestic still lifes, Ukrainian village landscapes, and cultural archetypes. The recurrence of motifs like trees, fish, vessels, and abstract elements imbues his paintings with layered meaning, often inviting the viewer to contemplate deeper symbolic narratives.
In addition to his artistic practice, Yurii Suprunchuk has taught for many years, inspiring a new generation of artists in Zhytomyr. His students and colleagues recognize him not only for his exceptional talent, but also for his philosophical depth and dedication to the craft.
Today, his works are held in private collections and exhibitions, continuing to speak through color, form, and inner vision — a testament to the enduring power of Ukrainian painting.

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