The last rays over the temple (2024) Schilderij door Yuriy Suprunchuk

Olie op Karton, 11,8x15,8 in
US$ 566,71
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Gemonteerd op Karton
The oil painting "The Last Rays Over the Temple" captures a breathtaking moment when the setting sun bathes a riverside monastery in golden light. The artist has masterfully blended warm and cool tones, creating a dramatic interplay of light and shadow that enhances the serenity of the scene. At the heart of the composition, an old Orthodox temple [...]
The oil painting "The Last Rays Over the Temple" captures a breathtaking moment when the setting sun bathes a riverside monastery in golden light. The artist has masterfully blended warm and cool tones, creating a dramatic interplay of light and shadow that enhances the serenity of the scene. At the heart of the composition, an old Orthodox temple stands tall, its domes and bell tower glowing in the soft, fading sunlight. The pale blue and white walls of the structure contrast beautifully against the vibrant sky, where shades of orange, pink, and violet merge seamlessly into each other. The golden reflections on the windows give the impression of inner light, as if the temple itself is absorbing the warmth of the sun’s last embrace. The foreground features a tranquil riverbank, where small wooden boats rest on the shore and float gently on the calm water. Their muted brown and red hues stand out against the reflective surface of the river, which mirrors the colors of the sky and the greenery surrounding it. The water, painted with smooth and deliberate strokes, shimmers with the cool blues and greens of the landscape, creating a stunning contrast with the fiery hues above. The lush greenery surrounding the temple is depicted with rich, deep greens, conveying the presence of age-old trees and overgrown riverbanks. The artist has used impressionistic brushstrokes to suggest movement in the foliage, as if a gentle breeze is passing through, carrying the whispers of the evening. The grass and dirt path leading toward the temple invite the viewer into the scene, creating a sense of depth and perspective. Above, the sky is a mesmerizing display of shifting colors, painted with expressive strokes that capture the dynamic transformation of day into night. The clouds, illuminated by the sun’s final glow, appear almost ethereal, their golden edges contrasting with the cooler tones creeping in from the upper atmosphere. This dramatic sky serves as a perfect backdrop for the temple, emphasizing its timeless presence. This artwork resonates deeply with those who appreciate the harmony of nature and architecture, and the quiet moments that inspire contemplation. It captures not only a place but a feeling—the profound stillness of a world touched by the last light of the sun.

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Yuriy Suprunchuk is a Ukrainian painter, born on April 11, 1961, in Zhytomyr, Ukraine. He received his formal art education at the Zheleznogorsk Art School (Russia), graduating in 1982, where he studied under [...]

Yuriy Suprunchuk is a Ukrainian painter, born on April 11, 1961, in Zhytomyr, Ukraine. He received his formal art education at the Zheleznogorsk Art School (Russia), graduating in 1982, where he studied under V. Chukuev and E. Nikulin. In 2002, he became a member of the National Union of Artists of Ukraine.
His artistic journey began in early childhood, when a moment of watching his mother paint sparked a deep fascination with art. Suprunchuk recalls how, as a small child, he once stayed up all night painting after being inspired by the scene of his mother working on a composition.
He later studied at the Kharkiv State Pedagogical Institute, where he not only refined his technical skills but also acquired deep theoretical knowledge and art teaching methodology. Under the mentorship of distinguished professors, he developed a strong foundation in both classical and contemporary Ukrainian art traditions. As a student and later as an educator himself, he placed a high emphasis on nurturing the individual talent and expression of his pupils.
Yurii Suprunchuk’s creative style blends realism with elements of romanticism and fantasy, often inspired by Ukrainian folklore, landscapes, and national cultural identity. His compositions are notable for their philosophical undercurrents and metaphysical dimensions. In his works, one can often find abstracted objects, symbolic figures, and stylized interpretations of natural forms.
His paintings are characterized by rhythmic compositions, balanced use of light, and expressive color schemes. He often explores existential themes and the metaphysical presence of the human spirit.
Suprunchuk’s creative approach is introspective and emotional, yet rooted in structured form. His works frequently portray female figures, domestic still lifes, Ukrainian village landscapes, and cultural archetypes. The recurrence of motifs like trees, fish, vessels, and abstract elements imbues his paintings with layered meaning, often inviting the viewer to contemplate deeper symbolic narratives.
In addition to his artistic practice, Yurii Suprunchuk has taught for many years, inspiring a new generation of artists in Zhytomyr. His students and colleagues recognize him not only for his exceptional talent, but also for his philosophical depth and dedication to the craft.
Today, his works are held in private collections and exhibitions, continuing to speak through color, form, and inner vision — a testament to the enduring power of Ukrainian painting.

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