Sleepy Conversations-Bymarka 2 (2025) 印花与版画 由 Wieslawa Nowicka (wiwnow)

印花与版画在纸上, 6.3x6.3 in
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关于这件艺术品: 分类, 技术技巧 & 款式. 蚀刻. 使用化学物质(酸)在金属板上进行Inthalio蚀刻技术,该化学物质将用作印刷的载体。. 大地艺术. 这幅画的主要主题是呈现自然,乡村或城市地区。. 技术 印花与版画. 版画最初是用来交流的。卓越的技术特性使其成为一种宝贵的艺术媒介。艺术家在平面上创建图像以进行打印。为了创建原始印刷品,艺术家在表面上上墨并将其压在纸上。版画是将艺术品印刷在纸上的过程,但也可以在织物、木材、金属和其他表面上印刷。. 除了单版印刷外,所有印刷工艺都可以从同一艺术品中产生相同的倍数。由此产生的作品被称为版画或“印象”。. 相关主题. TreeWoodLandscape.

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Wieslawa Nowicka is a polish artist based in Paris working in several fields - painting, engravings, photography and video. Over the past few years, she has focused her work on the interaction between landscape [...]

Wieslawa Nowicka is a polish artist based in Paris working in several fields - painting, engravings, photography and video. Over the past few years, she has focused her work on the interaction between landscape and body in a post-industrialised society. She began her artistic and cinematographic studies in Paris and Brussels. Interested in multiple visual mediums, she gives her work, both contemporary and anachronistic, inspiration from these different artistic experiences and her personal life. The achievements around painting, photography and installations are supported by research around the history, anthropology and psychoanalysis of unknown spaces. Turned towards the processes related to the artist and desired, dreamed and hazardous gesture, captivated by video art and poetry, she is particularly interested in the conflicting relationship of visual art with the public space. 

In her creations “space” is a tool and a pretext: Through different techniques, the question of our traces and memories in space and time arises. Belonging, territory, place, identity: the artist in her works creates a terrain where everything is possible, where everything meets and overlaps. An art-place where different worlds meet, questioning the lucidity of memory, the nature of presence in the present.

During her studies, already imported by the works of Kafka, Freud, the experimental cinema of Maya Deren, Patrick Bokanowski, Jean Cocteau and (cinema-poetry) Marguerite Duras or the more contemporary cinema of David Lynch in connection with the ambiguity of time and space, incomprehension, insubordination or dreaminess, Wieslawa develops the melancholic poetry of dream images. 

Applied in the European cultural scene, Wieslawa created the Intercultural Visual Form event (2016,2017, 2018) and founded an association Formatova, which allows young international directors to intrude into atypical spaces by projecting the short films on the walls films, under the theme of identity.

Recently she was in residence in Norway, Sweden, and in Iceland where she explored landscape for the project which questions the disappearance of contact between the all-powerful, fragile Nature and humans looking for a lost relationship in a dreamlike space.

Currently, she was on a three-month residency in LKV, Trondheim, Norvege, where The multidisciplinary «in situ» project was shown in an exhibition at the end of the residency. The artist also had the opportunity to show one of her works created on site during the Kunstfest Rotvoll 2024 festival.

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绘画 标题为“Solstice” 由Wieslawa Nowicka (wiwnow), 原创艺术品, 油
油在木上 | 11x11 in
US$1,779.24
绘画 标题为“la couette violette” 由Wieslawa Nowicka (wiwnow), 原创艺术品, 油
油在木上 | 19.7x27.6 in
US$2,370.75
绘画 标题为“Sleeping girl” 由Wieslawa Nowicka (wiwnow), 原创艺术品, 油
油在纸板上 | 20.1x29.1 in
US$2,113.36

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