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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
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关于我们的优良打印购买许可证以将此图像用于您的网站、通信或销售衍生产品。
Usage： 网络许可证
| 1500 px | ||
|
1187 px |
| 文件尺寸 (px) | 1500x1187 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
在帆布上
- 外形尺寸 高度 29in, 宽度 36in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 观念艺术 宗教
The artist was given a triangular halo. According to tradition, halos were crowned only by God the Father. The second triangle above the head and the halo breaks up the frame. The picturesque space opens up to the sky and the world, to the divine principle and inspiration. The meeting of these figures opens up the question of what impulses came into the world through Christ, Lenin and the Artist.
相关主题
My painting began as an impulse without knowledge. Little by little it became a reflection of myself. I observe myself. I began to do it spontaneously and found a way of communicating with reality through the reinterpretation of religious signs. I became convinced that the painter is the center of the work and that painting acts as a key to learn, to decode and give a different interpretation to the signs of religion
I studied at the Academy of Fine Arts in Stuttgart in 1993-1994 with Professor Joseph Kosuth. The artist Joseph Beuys and his concept of the World had a special influence on the formation of my concept, and his artistic object, the "Нare of the World", is present in some of my paintings, confirming Beuys's vision of the reincarnation of art. This is a global symbol, international, since its mission is to unite, not divide.
My paintings stand apart from both traditional and contemporary art. Formally, they belong to the archaic period: the figures are depicted barefoot, in long robes, their faces are turned to the viewer. They depict types rather than individuals. But the central place in the paintings is occupied not by the images of Christ or another saint, but by the Artist himself and Art, which have their own symbol - Iscus.
While working in Germany 25 years ago with gallery owner H. J. Müller, my paintings were called a new concept of icons - Transversal Icons.
In the paintings, I put the Artist on the highest pedestal between Christ and Lenin, as if a tribute to the winner. The square halo, used in antiquity to represent living saints, depicts Lenin, while the disk-shaped halo adorns Christ.
The artist is assigned a triangular halo. In tradition, halos crowned only God the Father. The second triangle above the head and halo breaks the frame. The picturesque space opens up to the sky and the world, to divine origin and inspiration. The meeting of these figures opens the question of what are the impulses that came into the world through Christ, Lenin and the Artist.
Mine tell unfinished stories. I use canvases and rarely wood coasters, acrylics and gold leaf. The story of this holy Artist is not over yet. I explore it with every new painting. With each icon, something more becomes clear, how the artist should understand himself in the world. In this I identify with the romantic idea of the artist as Salvador, since he also believes in the redemption of the world through art. Like religion, art also has a special contribution to make. But for this, he must still evolve to a higher plane, otherwise he is threatened with extinction. That's why the world needs an Artist of the World, and he needs to open up.
Over the past period, there were exhibitions in the museums of modern art in Germany and Spain, the paintings are in private collections.
