绘画标题为“007-19” 由Waclaw Wantuch, 原创艺术品, 油安装在金属上

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007-19 (2019) 绘画由 Waclaw Wantuch

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卖家 Waclaw Wantuch

原创艺术品 绘画, 油在中密度纤维板上

艺术品分类

原创艺术品

原创艺术作品是任何被认为是真实的作品，而不是对艺术家原创作品的复制或模仿。原创艺术作品可以是任何类型的绘画、雕塑、表演或其他媒体。有多种类型的原始媒体。混合介质包括油、丙烯酸和水彩颜料。对于见证工艺的作坊绘画，这种归属必须更加细微。尽管由于各种原因它们的价值可能较低，但复制品和副本对我们的体验产生了巨大影响。与原作相比，它们的受众范围更广，并充当反商品化的补品。原始作品也可以指第一部作品，它总是先于所有其他作品。它也可以指可以制作其他作品的原型或模型。每部作品都与原作有很大相似之处。
外形尺寸 32.1x47.8 in
单独工作的尺寸，不带框架：高度 31.5in, 宽度 47.2in
艺术品状况 艺术品完好无损
是否含画框 这件作品是诬陷
分类画作低于US$20,000 形象艺术裸体

While working on this painting, I wasn’t thinking about the body, but only about what builds form. I was thinking about how the skin reacts to light, how the shadow cuts through the shape, leaving only what is essential.

There was no sketch, no corrections. The darkest areas took time to develop. Each layer had to dry before another glaze, another color, could be applied. Each layer had to be a decision—whether to leave it or let the shadow consume more.

There was no way to speed up the process, but I stopped painting when the image set its own boundaries.

For the first time, I used an expensive glaze layer, which was a risk. Following the traditions of the old masters of oil painting, I applied the finest lapis lazuli pigment to achieve deeper tones.

关于这件艺术品: 分类, 技术技巧 & 款式

油

由与亚麻子油或康乃馨结合的颜料组成的油漆。传统技术是将越来越富油的油漆层叠加在一起，形成坚固耐用的衣架。

形象艺术

具象色彩的绘画自由地包括了各种形式的艺术，而没有文化体裁和地理起源的边界，在高级文化与亚文化之间没有等级的价值。

技术绘画

绘画是一种通过美学应用有色液体在表面上绘画的艺术形式。画家在诸如纸张，岩石，帆布，木材，树皮，玻璃，混凝土和许多其他基材等支撑物上表现出非常个性化的表达。代表作品或发明作品，绘画可以是自然主义的，具象的或抽象的。它可以具有叙述性，描述性，象征性，精神性或哲学性的内容。

Waclaw Wantuch

波兰

I was scraping off layers of paint, one by one, until I uncovered something that transported me back in time. At that moment, I was working in the Art Conservation Studio, revealing paintings on the walls of a [...]

I was scraping off layers of paint, one by one, until I uncovered something that transported me back in time.

At that moment, I was working in the Art Conservation Studio, revealing paintings on the walls of a medieval building. Following designated sections, I scraped off layers of paint, uncovering works from different periods of art history.

Strangely, the youngest layers turned out to be the most faded. Week by week, I uncovered deeper and older ones. Eventually, I reached the oldest layer, dating back to the medieval period. It turned out that its colors were so vivid and fresh that they seemed to defy the passage of time! They proved the durability of color achieved through historical painting techniques.

Today, as I prepare paints for my own paintings, I create each one myself in my studio, using traditional European recipes inspired by medieval art traditions. Such paints and pigments guarantee me the durability of colors thanks to these time-tested methods.

What’s more, the owner decided to uncover and preserve the medieval murals, which had stood the test of time. And just as an aside, today in that very place stands an exclusive hotel, visited by heads of state – a reminder of the timeless value of art and its place in the most prestigious settings.