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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
/
拼贴
/
Silverpoint
在亚麻帆布上
- 外形尺寸 高度 45.7in, 宽度 35in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 抽象主义 抽象主义
SENS-ART spiritual art. Light is the main matter of emotional expression linked with the sound of flowing. Series of paintings dedicated to Harmony and the beauty of the World. My painting is like an icon, like a window of light. Series of works inspired by Notre-Dame de Paris
相关主题
SENS-ART
Spatial screens of Savtcheko.
We live in the world of spatial screens.
The first screen is a mirror which gives us an idea of who we are and forms a notion of image. This art is like a spatial screen in its best manifestation. It is full of symbols that allow to implement the protection and introjection. In other words, the artist’s pictures projected on the platitude create an idea of environment space and allow to realize the world around and to understand the human nature.
The movement SENS-ART was founded in 1983 in Leningrad by Russian and French artist Valentin Savtcheko. Developing the idea of « Russian cosmisme » of the end of 19-20 centuries , he has created his own conception of space, his global vision of the world. If for Nicolai Fiodorov, the founder of «Russian cosmisme», this was the harmony of the worlds with their resurrected fathers, for the author of (« Black square ») and the founder of « suprematisme » movement Kazemir Malevich it is planetary vision itself, for Savtcheko, the combination of the global idea about the Universe and a symbol which can be recognized and which is created by the mankind as a sign of existence is important. Being educated on the ideas of Kandinski, Malevich and Filonov, Savtcheko thinks that consideration of images as minimalist initial structure of pure geometry is a totalitarian gesture. Though within previous centuries the development of the artistic style of Savtcheko from the « new wild » pure picturesque paintings to abstract compositions with collage and assemblage elements was occurred, his works are still characterized by a specific manner of narration, usual for symbolism in art. The pictures of Savtcheko are inhabited by personages in his virtual spatial world. Savtcheko tells, for instance, the same story as an unknown Russian icon artist or a painter of Renaissance Luka Siniorelli in his paintings « After Revelation ». But presentiment of « After Revelation » is made by the man living in the crossing of 20-21 centuries. Using an old technology of oil painting including the collage, Savtcheko creates the impression of virtual space, space of computer which is designed by digital technologies.
To be in the space of Savtcheko paintings means to be in virtual icons which are full of traditional symbols, mass product of the updated technology (elements of optical fibre) and abstract geometric compositions of the third dimension. The Savtcheko paintings are symbolic screens which return the diversity of new virtual world with the help to traditional technology.
Olesya Turkina
Art Critic
Russian Museum - St Petersburg
