不出售
You could describe a young man enslaved by his smartphone as someone whose life is dictated by the demands of his screen. His posture is slightly hunched, head perpetually angled downwards, as though chained by an invisible tether to his device. His attention flits from app to app, seeking dopamine hits from notifications and updates, unable to detach [...]
You could describe a young man enslaved by his smartphone as someone whose life is dictated by the demands of his screen. His posture is slightly hunched, head perpetually angled downwards, as though chained by an invisible tether to his device. His attention flits from app to app, seeking dopamine hits from notifications and updates, unable to detach even in moments meant for rest or real-world connection. His phone has become both a crutch and a cage—always within reach, yet robbing him of presence, capturing his gaze, and consuming his time.
自从他十几岁时从父亲那里得到一台相机以来，特里米迪就一直是一名狂热的摄影师。艺术和人总是让他着迷，最终他从体育摄影和模特发展到人们的故事和他们的激情。. 最近，摄影师使用的工具发生了巨大的变化，不断激发着他的兴趣和好奇心。他讲述的故事呈现出更多的形式，而摄影也可以呈现出更抽象的形式，将摄影和绘画的世界拉近了距离。. 他的影响通常来自中世纪、古典大师和当代艺术家的作品。风格、颜色、主题——他尝试了所有这些，但一切的核心仍然是这个人和观众的自由诠释。. [...]
