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限量版 份数 : 15.
拼贴,
数字拼贴
/
数字打印
/
2D数字工作
/
拼贴
在纸上
- 可用份数 1
- 外形尺寸 高度 32in, 宽度 24in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 拼贴画 低于US$500 观念艺术 奇妙
And she'd let her legend run wild for years now, because it kept being proved to be true. She didn't know if she was in control of it. She didn't want to. All she knew was she drew larger and larger crowds to every bash. Where they'd try and topple her over in back rooms and hideaways. Throwing everything from oranges to cod while she fish fingered their gaze upon her bare flesh poking out beneath the silks. Knowing no matter what mayhem they hurled, she'd grab it like every other plate, bowl and teapot she's caught in Kyoto. With aplomb, midair, a ring cycle on spin cycle, never stopping, not for anyone... and certainly not for this silly lot who thought they'd knock her off her spot. With what? This fish? They wish.
From Buenos Aires to Ceylon they'd tried to take her on, and every time they left a little lighter as she collected coins from one after another. A dangerous bet she couldn't seem to refuse, because the Dancing Queen just won't lose...
Tayū
The Tayū (太夫) were the highest class of traditional courtesan in traditional Japan. Distinguished by their intensive training from a young age in numerous traditional artforms... and the fact they didn't engage in sex work. They were celebrities, then. Not courtesans. And in the not too distant past, people knew about far flung celebrities in the same way we do now — the Industrial world's version of Amitabh Bachchan or Fan Bing Bing. Except Tayū were something else entirely. An all-in-one entertainment machine. Like the one seen here with that doggone fish reducing her to a sex object through tired symbolism, like so much Japanese art of the time.
Sources Of Inspiration
Tayū and courtesan culture in traditional Japan • Andalucia — cradle of queens who fought in battle • The smoky, lurid excess of French salons • Running away with the circus
Details, Details
I edited most of the men out of this piece and replaced them with women from all walks of life, because the source material was all hopped up on the male gaze... and there's no space in this daydream for that.
相关主题
History Remixing
We imagine history into existence every day, shaping the world around us as we go. I remake histories with every piece. From a motley crew of tales tall and true. A melange of myths, signs and symbols. Every one ripe for my kitsch confections, which could all be legends one day.
Every piece I create is true. Sourced from truth and grounded by it. But never real. Reality's a fiction we're all subscribed to, which doesn't make it any less true. And that's the thing about the truth. Or the past. It moves in both directions. Myriad, in fact. Never sitting still or doing as it's told. Forever questioned, dissected, reframed and upended. Queered and inverted. Packaged and performed. Told, retold, adapted then sold. Evolving, like everything else. Which is why I like to think my art exists outside of time. Reaching for infinity. Not reality. A kaleidoscope of mish-mashed truths, which are only as surreal as we choose to make them...
Eternally Hungry
Born in Sydney, I spent my childhood surrounded by artists, oddballs and academics. They taught me to question everything. Respectfully and without fear.
Their coffee table books inspired my love of art and design. Vigorous debates over citywide dinner tables made me realise how complex the world is. Tales of lives spent abroad inspired my wanderlust. Their most important lesson? The value of being eternally hungry—that you should always leave enough room to taste something you've never experienced before.
Twenty-two countries and four continents later, I can find home anywhere with WiFi and a hearty chunk of intrigue. It's because of them, and I'm forever grateful.