I am an artist and researcher born in 1989 and based in Paris. I studied at the École Nationale Supérieure des Arts Décoratifs of Paris, and at the School of Visual Arts in NYC where I finished valedictorian. The focus of my work is changes in behaviors and languages brought about by technical and technological developments. My work takes many artistic forms, combining traditional mediums with technology to explore the phenomenon of digital creolization. My preferred techniques are AI, engraving, ceramics, weaving, 3D modeling, augmented photography, textiles, and printing. My most recent research includes The Mutation of Desire which I also call Neoporn, NSFW Bored at work as physical resistance to the computer, and DataBotanical which is an exploration of botanics in connection with hyper-technology. I define myself as an ethnologist-visual artist, specializing in creolization and cohabitation with technology. From multiple angles, I explore the myth of the "machine"
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Categorías: artistas franceses contemporáneos.
Dominios artísticos:
Arte textil, Pintura.
Tipo de cuenta:
Artista,
miembro desde el 2025 (País de origen Francia).
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Valoración del artista, Biografía, Estudio del artista:
Artista Profesional
Ejerce la profesión de artista como actividad principal
Biografía
I am an artist and researcher born in 1989 and based in Paris. I studied at the École Nationale Supérieure des Arts Décoratifs of Paris, and at the School of Visual Arts in NYC where I finished valedictorian. The focus of my work is changes in behaviors and languages brought about by technical and technological developments. My work takes many artistic forms, combining traditional mediums with technology to explore the phenomenon of digital creolization. My preferred techniques are AI, engraving, ceramics, weaving, 3D modeling, augmented photography, textiles, and printing. My most recent research includes The Mutation of Desire which I also call Neoporn, NSFW Bored at work as physical resistance to the computer, and DataBotanical which is an exploration of botanics in connection with hyper-technology. I define myself as an ethnologist-visual artist, specializing in creolization and cohabitation with technology. From multiple angles, I explore the myth of the "machine"
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