Stapler Op Art #2 (2023) 数字艺术 由 Stuart Hicking

美术纸, 11x8 in
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 艺术品状况 艺术品完好无损
  • 分类 波普艺术 日常生活
This is a follow-on from Sardines Zigzag. Op Art was a big event in London of the 1960s. The main artist, unusually a woman, was Bridget Riley who championed the obsession with stripes and checks. My angle is to celebrate such iconic work with a little playfullness in the form of ordinary items. in this case a stapler. 关于这件艺术品: 分类, 技术技巧 & 款式. 技术 数字艺术. [...]
This is a follow-on from Sardines Zigzag. Op Art was a big event in London of the 1960s. The main artist, unusually a woman, was Bridget Riley who championed the obsession with stripes and checks. My angle is to celebrate such iconic work with a little playfullness in the form of ordinary items... in this case a stapler.

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I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally [...]

I went to art college back in the 1970s, where I received a BA 1st (Hons) in Fine Art before completing an MA at the Royal College of Art in the film school. I then worked in film and video production and finally the education sector before early retirement.
The main influences on me, during my early days, were the artists being talked about in the 1970s, such as Jasper Johns, Robert Rauschenberg and Jim Dine. The New York scene seemed to combine and challenge what art, performance and film could be in a way that has left a permanent mark on my psyche. This cocktail of Pop Art imagery and Abstract Expressionist mark-making seems to be where I feel most comfortable.

The imagery I refer to in my work is autobiographical and has a backstory which is both personal and yet familiar to us all. It is where everyday objects seem to mean a lot.

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