© 2012 Leonid Stroganov
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Avvakum Petrov (2012) 印花与版画 由 Leonid Stroganov
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- 情境中的艺术品, 其他...
印花与版画在纸上, 6.7x4.3 in
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原创艺术品
印花与版画,
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在纸上
- 外形尺寸 高度 6.7in, 宽度 4.3in
- 分类 版画 低于US$500 形象艺术
Original Artwork 'Avvakum Petrov' by Leonid STROGANOV done in Etching, Paper. Worldwide shipping! Офорт, бумага. Оригинал. Художник - Леонид СТРОГАНОВ. Original limited edition Etching (C3) / aquatint (C5) on paper. Hand-printed (E/A) and signed by the artist. Plate size: 17x11,5 cm. Paper size (app.): 28x21 cm. Avvakum Petrov (November 20, 1620 or [...]
Original Artwork 'Avvakum Petrov' by Leonid STROGANOV done in Etching, Paper. Worldwide shipping! Офорт, бумага. Оригинал. Художник - Леонид СТРОГАНОВ.
Original limited edition Etching (C3) / aquatint (C5) on paper. Hand-printed (E/A) and signed by the artist. Plate size: 17x11,5 cm. Paper size (app.): 28x21 cm
Avvakum Petrov (November 20, 1620 or 1621 - April 14, 1682), born in Grigorovo (in present-day Nizhny Novgorod), was a Russian protopope of Kazan Cathedral on Red Square who led the opposition to Patriarch Nikon's reforms of the Russian Orthodox Church. His autobiography and letters to the tsar, to Boyarynya Morozova and other Old Believers are considered masterpieces of 17th-century Russian literature.
Starting in 1652 Nikon, as Patriarch of the Russian Church, initiated a wide range of reforms in Russian liturgy and theology. These reforms were mostly intended to bring the Russian Church into line with the other Orthodox Churches of Eastern Europe and Middle East.
Avvakum and others strongly rejected these changes. They saw them as a corruption of the Russian Church, which they considered to be the 'true' Church of God. The other Churches were more closely related to Constantinople in their liturgies and Avvakum argued that Constantinople fell to the Turks because of these heretical beliefs and practices.
For his opposition to the reforms, Avvakum was repeatedly imprisoned. For the last fourteen years of his life he was imprisoned in a pit or dugout (a sunken, log-framed hut) at Pustozyorsk above the Arctic Circle before finally being burned at the stake. The spot where he was burned is now marked by an ornate wooden cross.
Despite his end, groups rejecting the changes persisted, and they came to be referred to as Old Believers.
Avvakum's colourful autobiography memorably recounts hardships of his imprisonment and exile to the Russian Far East, the story of his friendship and rupture with the Tsar Alexis, his practice of exorcising demons and devils, and his boundless admiration for nature and other works of God. Numerous manuscript copies of the text circulated for nearly two centuries before its first printed edition in 1861.
Original limited edition Etching (C3) / aquatint (C5) on paper. Hand-printed (E/A) and signed by the artist. Plate size: 17x11,5 cm. Paper size (app.): 28x21 cm
Avvakum Petrov (November 20, 1620 or 1621 - April 14, 1682), born in Grigorovo (in present-day Nizhny Novgorod), was a Russian protopope of Kazan Cathedral on Red Square who led the opposition to Patriarch Nikon's reforms of the Russian Orthodox Church. His autobiography and letters to the tsar, to Boyarynya Morozova and other Old Believers are considered masterpieces of 17th-century Russian literature.
Starting in 1652 Nikon, as Patriarch of the Russian Church, initiated a wide range of reforms in Russian liturgy and theology. These reforms were mostly intended to bring the Russian Church into line with the other Orthodox Churches of Eastern Europe and Middle East.
Avvakum and others strongly rejected these changes. They saw them as a corruption of the Russian Church, which they considered to be the 'true' Church of God. The other Churches were more closely related to Constantinople in their liturgies and Avvakum argued that Constantinople fell to the Turks because of these heretical beliefs and practices.
For his opposition to the reforms, Avvakum was repeatedly imprisoned. For the last fourteen years of his life he was imprisoned in a pit or dugout (a sunken, log-framed hut) at Pustozyorsk above the Arctic Circle before finally being burned at the stake. The spot where he was burned is now marked by an ornate wooden cross.
Despite his end, groups rejecting the changes persisted, and they came to be referred to as Old Believers.
Avvakum's colourful autobiography memorably recounts hardships of his imprisonment and exile to the Russian Far East, the story of his friendship and rupture with the Tsar Alexis, his practice of exorcising demons and devils, and his boundless admiration for nature and other works of God. Numerous manuscript copies of the text circulated for nearly two centuries before its first printed edition in 1861.
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列昂尼德·斯特罗加诺夫（Leonid Stroganov），俄罗斯当代艺术家，1999年从艺术学院毕业，随后在装饰艺术学院完成学业，开始了他的艺术之旅。在奥列格·雅宁（Oleg Yahnin）的指导下，他将自己的才华集中在为莎士比亚悲剧《李尔王》创作插图上，并以此为毕业证书的主题。. 2002 年，列昂尼德以优异的成绩毕业，开始了多方面的职业生涯，成为一名书籍插画家、自由艺术家，并积极参与艺术表演和展览。值得注意的是，他因为全球知名收藏家制作独家藏书票而获得认可。. [...]
列昂尼德·斯特罗加诺夫（Leonid Stroganov），俄罗斯当代艺术家，1999年从艺术学院毕业，随后在装饰艺术学院完成学业，开始了他的艺术之旅。在奥列格·雅宁（Oleg Yahnin）的指导下，他将自己的才华集中在为莎士比亚悲剧《李尔王》创作插图上，并以此为毕业证书的主题。
2002 年，列昂尼德以优异的成绩毕业，开始了多方面的职业生涯，成为一名书籍插画家、自由艺术家，并积极参与艺术表演和展览。值得注意的是，他因为全球知名收藏家制作独家藏书票而获得认可。
列昂尼德·斯特罗加诺夫 (Leonid Stroganov) 擅长雕刻、平版印刷，并精通水彩画，其艺术才华熠熠生辉。他的作品被收藏于艾尔米塔什图书馆、圣彼得堡公共图书馆以及美国波士顿公共图书馆等著名机构。此外，他的作品还被俄罗斯沃洛格达国家博物馆和比利时圣尼古拉现代图形博物馆收藏。欧洲和美国的私人收藏家也珍视他独特的创作。
