"ODE TO MOTION N2" (2025) 绘画 由 Sonia Jeronimo (Sónia J. Modern Art)
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原创艺术品 (One Of A Kind)
绘画,
丙烯
在布上
- 外形尺寸 高度 41.7in, 宽度 41.7in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 表现主义 抽象主义
In NeoFluxism, every piece begins with a sculptural base. I texture my surfaces with gesso, mediums, fibers, pastes — building a landscape before the paint ever flows. The surface becomes tactile, dimensional, alive — it carries memory before color is even introduced.
I often begin with deep, atmospheric backgrounds — especially blue-greens that evoke sea, sky, and emotion. These colors aren’t random; they’re a mood, a field, a foundation for immersion.
Over that, I apply color through dynamic, physical gestures: pouring, dripping, flicking — but always with intention. Every motion is a choice. The painting is alive, but not aimless.
And I bring light into the work — through gloss, metallics, transparencies, and layers. Light doesn’t sit on the surface — it moves through the piece, reflecting and shifting as the viewer moves. The work becomes an experience of motion, matter, and energy.
NeoFluxism is my way of uniting opposites: sculpture and painting, instinct and control, material and meaning. It’s not just a technique — it’s a way of seeing.
I believe abstraction can be deep. I believe gesture can have purpose. I believe that texture, color, and light together can create something powerful, emotional, and new.
This is not the chaos of a moment. This is the construction of presence.
Enjoy!
Sonia J.
相关主题
As a self-taught, emergent artist, my work is a reflection of both my personal and professional journey—an evolution from a trailblazing CEO and Entrepreneur in the tech industry to a liberated creative spirit in the rural mountains of Portugal. My art, deeply rooted in abstraction, celebrates the complexity of transformation, female empowerment, and the profound beauty of life’s transitions. Through vibrant colors, bold compositions, and textured layers, I create a visual language that invites both emotional connection and intellectual exploration.
I view abstract painting as a powerful form of expression, where creativity flows freely and without boundaries. My approach is fluid, constantly evolving, and never bound by a single formula. Much like leadership, which requires the courage to adapt and take risks, my art thrives on unpredictability, allowing the materials and organic forms to speak their own language. The absence of a fixed style mirrors my belief that, just like leadership, art should evolve with the times—embracing new techniques, emotions, and energies to truly capture the complexities of the human experience.
In my work, the dynamic interplay of bold, vibrant colors and textures is a reflection of strength and resilience, particularly the resilience of women navigating challenging environments, whether in the boardroom or in life. I use particularly large canvases and paint on the floor, as the perspective from this angle is entirely different, allowing for a deeper connection to the work. Blue hues, in various shades, dominate my canvas—symbolizing depth, calm, and infinite possibilities. These shades of blue represent both the soothing force of inner strength and the boundless potential that comes from embracing change and uncertainty. The layers of blue, ever-shifting, echo the fluidity of life itself and the unwavering spirit that drives one forward.
I work primarily with cotton and linen, two raw materials that resonate deeply with me as symbols of authenticity, resilience, and vulnerability—qualities that embody female leadership. These materials allow me to explore the tactile, organic nature of life’s transitions. My use of fabric and natural textures reflects the grounding energy of nature, drawing inspiration from my surroundings in the rural mountains of Serra da Estrela. Through these materials, I express the profound depth of emotion and the beauty that emerges when we embrace imperfection and change.
Art, for me, is a powerful tool for transformation and expression. After spending over three decades in the corporate world, I turned to art not as an escape, but as a means of deeper connection, self-expression, and inspiration.
