
© 2023 Solmaz Vilkachi

© 2023 Solmaz Vilkachi

© 2023 Solmaz Vilkachi

© 2023 Solmaz Vilkachi

© 2023 Solmaz Vilkachi

© 2023 Solmaz Vilkachi
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Continues (2023) 雕塑 由 Solmaz Vilkachi
雕塑 - 陶瓷, 16.5x9.5 in
US$2,331.78
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发货地: 意大利
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这件艺术品出现在6集
-
原创艺术品 (One Of A Kind)
雕塑,
陶瓷
/
粘土
在其他基材上
- 外形尺寸 高度 16.5in, 宽度 9.5in / 2.00 kg
- 艺术品状况 艺术品完好无损
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- 分类 雕塑作品 低于US$5,000 形象艺术 日常生活
The sculpture depicts a female figure vertically divided into two halves, embodying the contrast and continuity between past and present. The left side represents childhood, marked by war and sorrow. In this half, the face is missing—hidden—as if symbolizing an identity erased or never fully formed. The only expressive element is a fragile hand clutching [...]
The sculpture depicts a female figure vertically divided into two halves, embodying the contrast and continuity between past and present.
The left side represents childhood, marked by war and sorrow. In this half, the face is missing—hidden—as if symbolizing an identity erased or never fully formed. The only expressive element is a fragile hand clutching a doll, a sign of a broken childhood, a desperate hold on something familiar in a chaotic world.
The right side represents the present. Here, the face is visible: mature, marked, but alive. The open eyes reveal awareness and memory. The arm on this side ends in a clenched fist, a symbol of strength, restrained anger, resilience, and perhaps still-lingering pain. The fist is a natural continuation of the hand that once held the doll— the same gesture transformed over time, showing that the past has not vanished but has rooted itself in the present identity.
As a whole, the sculpture conveys the message that memory is living matter: what we have lived through shapes us, conditions us, and walks with us. The past, even when hidden or unspoken, defines how we see the world, how we protect ourselves, and how we respond. The division is not a rupture, but a continuum—two inseparable halves forming a single existence.
The left side represents childhood, marked by war and sorrow. In this half, the face is missing—hidden—as if symbolizing an identity erased or never fully formed. The only expressive element is a fragile hand clutching a doll, a sign of a broken childhood, a desperate hold on something familiar in a chaotic world.
The right side represents the present. Here, the face is visible: mature, marked, but alive. The open eyes reveal awareness and memory. The arm on this side ends in a clenched fist, a symbol of strength, restrained anger, resilience, and perhaps still-lingering pain. The fist is a natural continuation of the hand that once held the doll— the same gesture transformed over time, showing that the past has not vanished but has rooted itself in the present identity.
As a whole, the sculpture conveys the message that memory is living matter: what we have lived through shapes us, conditions us, and walks with us. The past, even when hidden or unspoken, defines how we see the world, how we protect ourselves, and how we respond. The division is not a rupture, but a continuum—two inseparable halves forming a single existence.
相关主题
形象艺术
girl sculpture
small sculpture
figurative
ceramic
life story
contemporary sculpture
artcollectors
war
childhood
woman
SolVil 是一位居住在意大利的当代伊朗艺术家。她的艺术作品主要关注人物形象,反映了她对世界和人类的看法。她曾参加个展和群展,创作的雕塑装置已永久展示在意大利各个城市的公共场所。她的艺术探索与身份、社会和人类经历相关的主题。. 通过她的艺术,索尔维尔深入探讨了与人类身份、社会和人类状况相关的深刻主题。她的作品是对人性、情感以及将我们定义为个体的经历的沉思。. 国籍: 伊朗. 出生日期 : 未知日期. 艺术领域: [...]