Moon Guard (2025) 数字艺术 由 Sofia Markina

美术纸, 12x7 in

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In the painting "Moon Guard," a mysterious fantastical world is revealed, shrouded in night darkness. At the center stands an enigmatic creature, half-human, half-bird, with wings and a head that give it a supernatural appearance. Its long legs, insect-like tail, and horns symbolize power and wildness. In one hand, it holds a leather leash attached [...]
In the painting "Moon Guard," a mysterious fantastical world is revealed, shrouded in night darkness. At the center stands an enigmatic creature, half-human, half-bird, with wings and a head that give it a supernatural appearance. Its long legs, insect-like tail, and horns symbolize power and wildness.

In one hand, it holds a leather leash attached to a cunning fox—symbolizing agility. Behind it are two formidable and mysterious guardians, protecting their master and emphasizing his authority.

The sky above is dotted with stars, and the pale crimson moon creates an atmosphere of tension and anticipation, adding drama. In the background, castles and mountains reminiscent of ancient legends symbolize knowledge and grandeur, evoking a different dimension full of mysteries.

Scattered at its feet are objects—remnants of battles or artifacts—adding depth and hints of a rich world. The starry sky, like the eyes of the universe, watches over the scene, symbolizing eternity and secrets.

Overall, "Moon Guard" creates an atmosphere of mystique, threat, and mystery. Dark tones, fantastical creatures, and enigmatic landscapes immerse the viewer in an unusual world where each element holds its own story and significance.

This painting is part of the series "People Wear Masks" because the mystical atmosphere created by the pale crimson hue of the moon and the fantastical landscape symbolizes the state of the modern world, filled with mysteries and the unknown. The warm yet unsettling light of the moon emphasizes a sense of secrecy and duality of reality, where people are forced to hide their true feelings and intentions in order to survive. The images in the painting may reflect the inner masks that everyone wears to protect themselves from the unpredictability of the environment and to preserve their identity amidst constant change and danger. Thus, the painting conveys the idea of necessity to conceal and mask oneself in contemporary society, which is a central theme of the "People Wear Masks" series.

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Sofia Markina, a candidate of technical sciences and a retired associate professor with 40 years of experience, has always found joy in creativity throughout her life. Although her primary career was deeply rooted [...]

Sofia Markina, a candidate of technical sciences and a retired associate professor with 40 years of experience, has always found joy in creativity throughout her life. Although her primary career was deeply rooted in science, she consistently and joyfully engaged in knitting, creating models, and selecting patterns. She crafted dresses, bags, swimsuits, and hats, infusing her daily life with creativity on a practical level.
Until recently, painting was a closed door for her. An art teacher once told her in school, "This is not for you, girl," and she believed him. However, during the pandemic, she learned about right-brain drawing and decided to explore this new avenue. This exploration became a revelation for her: she completed several courses, attended the Rumak School, fell in love with acrylics, and hopes she has finally found her unique style. Despite lacking formal artistic education, she has participated in twelve exhibitions and an art tour of Baikal.
Sofia Markina is a contemporary Russian artist. In her works, she strives to capture the fleeting images of our short lives, their multilayered nature, and complexity. She explores how we perceive ourselves and see others. Her fantastical, collage-like narratives are full of vibrant color experiments. Technically, she creates rich compositions filled with numerous characters, allowing the viewer to feel and embody various situations.
Sofia invites the viewer to collaborate: one does not see with just the eyes but with the mind. She outlines the painting and gives hints through color, leaving space for interpretation. What the viewer sees will form their own story in their mind, if they choose to see, if they wish to engage, if they are able. This concept is reminiscent of an old Dadaist game: "Find it, understand it, piece together this puzzle in your mind."
The illusion of perception is a distorted evaluation of either a real or fantastical image, creating a discrepancy between what a person sees and what exists in reality. Each individual will be absolutely convinced of their own correctness and may fervently defend their viewpoint or, conversely, pass by indifferently, perhaps tired or preoccupied. However, it may be worth taking a closer look once more, and you might see an entirely different story.

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