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新 新年画New chineseposter • 5艺术品
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The population of China has reached 1.3 billion, and among them 140 million people are over 60 years[...]
The population of China has reached 1.3 billion, and among them 140 million people are over 60 years old. Influenced by the one-child policy, China society is becoming an aging one in an unprecedented speed. It is predicted that there will be one aged person in every three people in China after 20 years. Suffering from the big population, China is facing the challenge of the aging society. This new national condition will bring many problems--------increasing pressure for the retirement pension system, expanding expenditures on medical and health service, aggravating burden of supporting the old, a hindered economy development, exacerbating labor force shortage, new social conflicts and so on. In all, the problem of the aging society is a great challenge for the Chinese people.
Emerged in the 1950’s, the chinese poster（new year posters), different from the tradition new year posters, is a creative art form which adapts to the social trend. With warm frame and vivid colors, the modern new year poster is easy to understand. What’s more, it also carries strong political propaganda features. By using the modes of discourse of the new year poster, I transfer the popular pattern of the new year poster into an art form which could express my ideas and inspire the audience with a somewhat official attitude in a plain way while keeping the warn and vivid visual characteristics.
The New Chinese Poster is about the present and imagination of the future. What I see in not only the history and the current phenomenon but also a possible future. Pointing at the aggravating problem of the aging society, I transfer the reality into a real record or a super-realism foresight, obtaining a new image and feeling, or even building an authentic and plain power which voices the artist’s thoughts from the reality itself and warns people of the implicit future through the metaphor of the chinese posters.
作品说明
中国人口总数已经达到十三亿，目前六十岁以上的老人有一亿四千万。受到计划生育政策的影响，中国正以前所未有的速度进入老龄化社会。预计在二十年以后，中国每三个人里就有一个是老人。人口总数依然使中国困难重重，同时中国即将面临老龄化社会问题。这是一个新的重要国情，将给社会带来更多问题：养老保障的负担日益沉重、医疗的费用加大、对老年人的赡养负担加重、困扰国家经济发展、劳动力资源不足、引发社会矛盾等等。老龄化社会的压力将给中国人民带来很大挑战。
上世纪50年代开始出现的“新年画”区别于传统年画，是一种适应形势需要、富有时代创意的艺术形式。“新年画”具有通俗易懂，画面丰满热烈、色彩艳丽明快的视觉特点，而且具有鲜明的政治宣传色彩。我引用“新年画”的话语方式，将熟为人知的“新年画”样式建立某种艺术的转化表现，保留了丰满热烈，色彩艳丽明快的视觉特点，用比较“官口”的态度，以通俗易懂的话语方式把我的观点告诉观者，给人以启示。
《新 新年画》是关于当下，关于未来的想象。我看到的不仅是历史，现状，也是某种可能的未来。我针对中国日益严重的老龄化社会问题，将现实转化为真实的记录或者超现实的预见。并在对“新年画”进行隐喻的方式作用下，获得新的面貌与感觉，或许还构成某种真实朴素的力量，从而对现实本身发出艺术家的声音，甚至以对现实预见的未来发出警示。
Emerged in the 1950’s, the chinese poster（new year posters), different from the tradition new year posters, is a creative art form which adapts to the social trend. With warm frame and vivid colors, the modern new year poster is easy to understand. What’s more, it also carries strong political propaganda features. By using the modes of discourse of the new year poster, I transfer the popular pattern of the new year poster into an art form which could express my ideas and inspire the audience with a somewhat official attitude in a plain way while keeping the warn and vivid visual characteristics.
The New Chinese Poster is about the present and imagination of the future. What I see in not only the history and the current phenomenon but also a possible future. Pointing at the aggravating problem of the aging society, I transfer the reality into a real record or a super-realism foresight, obtaining a new image and feeling, or even building an authentic and plain power which voices the artist’s thoughts from the reality itself and warns people of the implicit future through the metaphor of the chinese posters.
作品说明
中国人口总数已经达到十三亿，目前六十岁以上的老人有一亿四千万。受到计划生育政策的影响，中国正以前所未有的速度进入老龄化社会。预计在二十年以后，中国每三个人里就有一个是老人。人口总数依然使中国困难重重，同时中国即将面临老龄化社会问题。这是一个新的重要国情，将给社会带来更多问题：养老保障的负担日益沉重、医疗的费用加大、对老年人的赡养负担加重、困扰国家经济发展、劳动力资源不足、引发社会矛盾等等。老龄化社会的压力将给中国人民带来很大挑战。
上世纪50年代开始出现的“新年画”区别于传统年画，是一种适应形势需要、富有时代创意的艺术形式。“新年画”具有通俗易懂，画面丰满热烈、色彩艳丽明快的视觉特点，而且具有鲜明的政治宣传色彩。我引用“新年画”的话语方式，将熟为人知的“新年画”样式建立某种艺术的转化表现，保留了丰满热烈，色彩艳丽明快的视觉特点，用比较“官口”的态度，以通俗易懂的话语方式把我的观点告诉观者，给人以启示。
《新 新年画》是关于当下，关于未来的想象。我看到的不仅是历史，现状，也是某种可能的未来。我针对中国日益严重的老龄化社会问题，将现实转化为真实的记录或者超现实的预见。并在对“新年画”进行隐喻的方式作用下，获得新的面貌与感觉，或许还构成某种真实朴素的力量，从而对现实本身发出艺术家的声音，甚至以对现实预见的未来发出警示。
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