



让我们知道您是否想看到这件艺术品的更多照片!
- 工作的背面 / 工作的一面
- 细节 / 签名 / 艺术品的表面或纹理
- 情境中的艺术品, 其他...
Waiting for Stupid, Again. (2025) 图画 由 Sebastian Alsfeld
更多信息
- 包装 (管) 所有的作品都配有优质的承运方,经过严格的包装保护和已投保。
- 监控 跟踪订单,直到包裹交付给买方. 将提供跟踪号码,以便您可以实时跟踪包裹。
- 延迟 全球配送会在3-7天内送达 (估计)
- 不包括海关 价格不包括海关费用。大多数国家/地区对原创艺术品没有进口税,但您可能需要支付减免的增值税。海关费用(如果有)将由海关在抵达时计算,并由承运人单独计费。
更多信息
- 可追踪的在线真品证书 可以通过扫描插图的代码随时在线验证真品证书。
- 认证评级艺术家 专家研究一个艺术家的工作和职业生涯,然后建立一个独立的,可靠的平均价格值。平均价格价值座落在一个价格范围内的某一时期的艺术家。专家们也可能被要求建立一个更精确的估计为特定的工作。
更多信息
使用SSL证书进行100%安全付款 + 3D Secure.
更多信息
-
原创艺术品 (One Of A Kind)
图画,
木炭
/
丙烯
/
石墨
在纸上
- 外形尺寸 高度 21in, 宽度 15in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画图 低于US$1,000 抽象主义 抽象主义
This here painting is based off several projections and sketches of my own meanderings and punk rock flyers. Lots of automatism involved as well. Enjoy
相关主题
Born: Edmonton, Alberta, Canada. Living and working in Harbin, China.
Education:
1999-2002 Bachelor of Fine Arts with distinction, Painting Major, Alberta College of Art and Design, Calgary, AB. (Studied under acclaimed Canadian painter, Chris Cran)
1996-1998 Fine Arts Diploma, Grant MacEwan Community College, Edmonton, AB.
Artist Statement:
I have always understood painting as a medium that embodies a thought process which depicts an accumulation of marks over a period of time. My paintings are a record of actions and reactions which often result in explosive, fractured, and chaotic images. I am interested in paintings that need to be visually unpacked; to discover which actions or marks came first and how they were applied and constructed.
I'm interested in paintings that can't be readily resolved. It should take time, cause trouble, and pull you back to look at it, look at it more; not sit in a space or on a wall and be some comfortable, decorative object.
I also understand there is a fine line between just plain old bad, uninteresting painting, and a painting that frustrates, gets under your skin a little, and commands some attention. It's the latter that drives me to keep doing this weird activity ( in this day and age) we call painting.
I pursue no objectives, no system, no tendency; I have no program, no style, no direction. I have no time for specialized concerns, working themes or variations that lead to mastery. I steer clear of definitions. I don’t know what I want. I am inconsistent, noncommittal, passive; I like the indefinite, the boundless; I like continual uncertainty.
—Gerhard Richter
Me, too.
—Manuel Ocampo
Me, three.
_Sebastian Alsfeld