Waiting for Stupid, Again. (2025) 图画 由 Sebastian Alsfeld

木炭在纸上, 21x15 in
US$559.75
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Mediums - Charcoal, graphite, and acrylic on high quality 100% cotton watercolor paper - 300g - medium/coarse grain. This here painting is based off several projections and sketches of my own meanderings and punk rock flyers. Lots of automatism involved as well. Enjoy 关于这件艺术品: 分类, 技术技巧 & 款式. 木炭. 用柳树枝或烧焦的欧洲木炭作的绘图。它能够获得非常深的黑色,精确的痕迹,细的或相反的非常宽的黑色,这取决于其使用方式。. [...]
Mediums - Charcoal, graphite, and acrylic on high quality 100% cotton watercolor paper - 300g - medium/coarse grain.
This here painting is based off several projections and sketches of my own meanderings and punk rock flyers. Lots of automatism involved as well. Enjoy

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PunkYouth CultureMusicExpressionismSurrealism

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Born: Edmonton, Alberta, Canada. Living and working in Harbin, China. Education:. 1999-2002 Bachelor of Fine Arts with distinction, Painting Major, Alberta College of Art and Design, Calgary, AB. (Studied under [...]

Born: Edmonton, Alberta, Canada. Living and working in Harbin, China.

Education:

1999-2002 Bachelor of Fine Arts with distinction, Painting Major, Alberta College of Art and Design, Calgary, AB. (Studied under acclaimed Canadian painter, Chris Cran)

1996-1998 Fine Arts Diploma, Grant MacEwan Community College, Edmonton, AB.

Artist Statement:

I have always understood painting as a medium that embodies a thought process which depicts an accumulation of marks over a period of time. My paintings are a record of actions and reactions which often result in explosive, fractured, and chaotic images. I am interested in paintings that need to be visually unpacked; to discover which actions or marks came first and how they were applied and constructed.

I'm interested in paintings that can't be readily resolved. It should take time, cause trouble, and pull you back to look at it, look at it more; not sit in a space or on a wall and be some comfortable, decorative object.
I also understand there is a fine line between just plain old bad, uninteresting painting, and a painting that frustrates, gets under your skin a little, and commands some attention. It's the latter that drives me to keep doing this weird activity ( in this day and age) we call painting.

I pursue no objectives, no system, no tendency; I have no program, no style, no direction. I have no time for specialized concerns, working themes or variations that lead to mastery. I steer clear of definitions. I don’t know what I want. I am inconsistent, noncommittal, passive; I like the indefinite, the boundless; I like continual uncertainty.
—Gerhard Richter
Me, too.
—Manuel Ocampo
Me, three.
_Sebastian Alsfeld

查看更多的Sebastian Alsfeld

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绘画 标题为“Waiting for Stupid” 由Sebastian Alsfeld, 原创艺术品, 丙烯 安装在木质担架架上
丙烯在亚麻帆布上 | 27.5x23.5 in
US$1,357.16
图画 标题为“Spooky Action at a…” 由Sebastian Alsfeld, 原创艺术品, 丙烯
丙烯在纸上 | 31x23.5 in
US$801.12
绘画 标题为“Oh Wow Fantastic No…” 由Sebastian Alsfeld, 原创艺术品, 丙烯 安装在木质担架架上
丙烯在亚麻帆布上 | 27.5x23.5 in
US$1,357.16
绘画 标题为“Mislead Youth ( The…” 由Sebastian Alsfeld, 原创艺术品, 丙烯 安装在木质担架架上
丙烯在亚麻帆布上 | 27.5x23.5 in
US$1,357.16

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