Garden View 33 (2020) Grafika cyfrowa / sztuka generowana cyfrowo autorstwa Kenneth Grzesik

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Ta grafika pojawia się w 47 kolekcjach
  • Oryginalna praca Grafika cyfrowa / sztuka generowana cyfrowo, 2D praca cyfrowa / Malarstwo cyfrowe / Fotomontaż
  • Wymiary Wymiary są dostępne na życzenie
  • Kategorie Abstrakcyjna
No flowers were harmed during the making of this image. The technology use was entirely non-intrusive. There were a few footprints left near some of the flowering bushes. Other than that things were left exactly as they were found. Basically the concept focused on creating an artwork that generated balanced aesthetic relationships. The geometric and[...]
No flowers were harmed during the making of this image. The technology use was entirely non-intrusive. There were a few footprints left near some of the flowering bushes. Other than that things were left exactly as they were found. Basically the concept focused on creating an artwork that generated balanced aesthetic relationships. The geometric and natural elements were of equal importance to the composition. A geometry was employed that implies the view of a garden through a kind of looking glass lens with kaleidoscopic properties. Visual information from the original digital photo was rearranged in as a way to present a visual puzzle to the viewer. Close examination may reveal visual relationships between organic forms and geometric structures used as design elements in the composition.

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Digital AbstractSeriesModern ArtContemporary ArtArt Deco

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

I think it's possible that beauty can save the world. Even though it's a long shot bet the pay off would be substantial, so I'm working towards that end. Art can be life as life can be art. Both can be beautiful if given a chance.My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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