Mountain Winter #45 (2010) Digitale Kunst door Kenneth Grzesik

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Certificaat van echtheid inbegrepen
  • Dit werk is een "Open Edition" Digitale Kunst, Giclée / Digitale afdruk
  • Dimensies Verschillende maten beschikbaar
  • Verschillende ondersteuningen beschikbaar (Fine art papier, Bedrukkingen op Metaal, Canvas Print)
  • Framing Framing beschikbaar (Zwevend frame + onder glas, Frame + onder acrylglas)
"Mountain Winter" is a creative experiment that follows the flow of time as it rotates on the axis of nature. It is a visual synthesis of art, technology and the environment. It is a link between experience and perception continually flowing with the nowness of now. The imagery is created by the intuitive layering of experiences in a way[...]
"Mountain Winter" is a creative experiment that follows the flow of time as it rotates on the axis of nature. It is a visual synthesis of art, technology and the environment. It is a link between experience and perception continually flowing with the nowness of now. The imagery is created by the intuitive layering of experiences in a way that is similar to the application of layers of paint on a canvas. The result is a visual synergy. Contact Kenneth Grzesik at for price and printing options.

Verwante thema's

Chilling Winds Penetrate Into Every Aspect Of The Ambient. The Experience Is Crystalized.

Automatisch vertaald
Volgen
Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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