Organic Spring 20 デジタルアーツ Kenneth Grzesik によって

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  • この作品は「オープンエディション」です デジタルアーツ, 紙の ジークレープリント / デジタルプリント
  • 寸法 利用可能ないくつかのサイズ
  • 利用可能ないくつかのサポート (ファインアート紙, 金属への印刷, キャンバスプリント)
  • フレーミング 利用可能なフレーミング (フローティングフレーム+アンダーグラス, フレーム+アクリルガラスの下)
  • カテゴリ デジタルアート $1,000未満 抽象芸術
The energy of life is transformed into an image of flowing color and form. Organic elements of the spring season are visualized as a flow of color and form. The idea was to generate imagery that alludes to the flow of time and life. The flow of color and form is the focus of the composition. The imagery was directly inspired by the unbound energy and[...]
The energy of life is transformed into an image of flowing color and form. Organic elements of the spring season are visualized as a flow of color and form. The idea was to generate imagery that alludes to the flow of time and life. The flow of color and form is the focus of the composition. The imagery was directly inspired by the unbound energy and infinite beauty of spring. The original print in an edition of one is signed.

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Digital AbstractModern AbstractHome DecorOffice DecorContemporary Decor

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Degrees: B.F.A., Northern Illinois University, DeKalb, 1974 M.A., Northern Illinois University, DeKalb, 1977 C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's[...]

Degrees:
B.F.A., Northern Illinois University, DeKalb, 1974
M.A., Northern Illinois University, DeKalb, 1977
C.C. Photoshop/Illustrator, Lake Washington Technical College, 2008, President's List for Academic Achievement

My imagery is built around a concept. After a central idea is established I explore possibilities within a set of creative and aesthetic parameters. From my perspective visual art is idea, expression, experience and process fused to create a perceptual synergy.
Nature has always played an important role in my art. In the late seventies and early eighties it was the focal point of several commissioned installations in Seattle and Chicago. During the next two decades or so landscape painting and drawing were my primary areas of interest. The work was exhibited in minor venues in Washington and Hawaii.
It was in 2005 when I bought my first computer and digital camera. The initial attraction was the speed that imagery could be produced. It was exciting to work at the speed of idea where the time span between concept and image was short. What followed has been a nonstop process of photography and editing. Presented here is an assortment of images that are a visual record of that activity.

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