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Di Luce e d'Ombra (2024) 绘画 由 Sarita Nanni
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
/
丙烯
在帆布上
- 外形尺寸 高度 47.2in, 宽度 31.5in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 形象艺术 名人肖像
This is Michele Giovagnoli, an alchemist of the modern world—a man of wild charisma, profound connection to nature, and deep inner power. His presence resonates like a forgotten language, rediscovered and reborn.
His gaze—intense, grounded, and timeless—draws you in. It's not a stare, it's a call: into a space where instinct, reflection, and organic force coexist in fragile equilibrium.
The surface of this piece is alive. Built through layers of tar, oil, and acrylics, poured and distressed, it reflects a process as volatile as it is intimate. I chose tar not for shock, but for its weight—because color alone felt too light, too disembodied. I needed something rooted, dense, tactile—something that smells of bark and earth.
The GRUNGE technique follows no rules—it surges like instinct, unpredictable and alive. I don’t paint—I react. I carve, burn, soak, and erase. I use turpentine, nitro thinner, water, solvents—not to control, but to provoke. The result is never planned. It grows, it resists, it surprises me.
This work does not depict Michele Giovagnoli—it holds him. It vibrates with the tension between ancient and modern, body and myth, decay and rebirth.
I create because I must. My art is not about beauty—it’s about truth. Disrupted, imperfect, unfiltered. A dialogue between emotion and matter.
And like the forest floor where bark meets root and rot feeds life, this portrait is a place of transformation.
相关主题
Sarita NanniMichele Giovagnoli PortraitGrunge PaintingContemporary PortraitExpressive Portrait
I don’t just paint faces.
I paint what pulses beneath the skin.
I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained in illustration in Venice with Emanuele Luzzati and in Sarmede with Arcadio Lobato. My passion for large-scale painting led me to Florence, where I studied the ancient fresco technique.
For nearly a decade, I lived in London, collaborating on handmade ceramic murals and private pools for the Emirates market. Today I work in my studio in Rimini, alongside my sister Catia, creating unique ceramic and wood pieces — and painting what cannot be said in words.
My paintings explore the symbolic power of the face. Each portrait is not a likeness, but a vibration, a map of inner emotion. I work instinctively with a wide range of materials — oil, acrylic, tar, gold leaf, metallic foils, solvents, and whatever the process calls for. I let matter guide me: textures emerge, dissolve, resist, reflect. The surface becomes a ritual site — alive, layered, and emotional.
My artistic philosophy is rooted in experimentation and raw expressiveness. I embrace imperfection, contradiction, and the uncontrolled beauty of the unexpected. This gave birth to my personal language: Grunge Art — a visceral, mixed-media approach inspired by the emotional authenticity of Seattle’s grunge movement. My materials are not passive tools — they are living participants in the creation.
I don’t seek conventional beauty — I seek emotional truth.
My art is a visual alchemy of chaos and control, light and shadow.
Each piece is an invitation: to feel deeply, to see yourself reflected, and to connect beyond appearances.
I also offer commissioned portraits from photographs.
But don’t expect a copy.
Expect something that looks like you — more than you might want to admit.
