Suspended Forest (2010) 绘画 由 Sarita Nanni
卖家 Sarita Nanni
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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Usage： 网络许可证
| 1466 px | ||
|
1500 px |
| 文件尺寸 (px) | 1466x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
油
在木上
- 外形尺寸 高度 23.6in, 宽度 23.6in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$20,000 表现主义 森林
This painting is a meditation on the connection between nature and energy, inviting the viewer to lose themselves in the forest and find a place beyond time. The forest appears as an ethereal structure, where the trunks rise like columns, and the light interacts with the metallic and crystalline surfaces, transforming the artwork into a dynamic and ever-changing composition.
The deep red represents transformation, emotional intensity, and the inner fire of nature.
The bold black adds depth, evoking the mystery of nature and the unconscious.
The silver aluminum leaf enhances the interplay of light, shifting appearance depending on illumination and viewing angle.
Quartz crystals on the lake intensify reflections, creating an effect of depth and natural vibration.
A textured painting that evolves with light, perfect for contemporary, minimalist, and nature-inspired spaces.
I work with materials and light to create paintings that are more than just images—they are visual and tactile experiences. The use of quartz, aluminum, and oil paint is not just an aesthetic choice but an exploration of the relationship between natural elements and the way we perceive space and energy around us.
"Suspended Forest" is born from this philosophy: a landscape that is not just a physical place but a mental and emotional space, a fragment of the inner world that changes depending on the observer.
相关主题
Sarita NanniRed Forest PaintingQuartz Crystal ArtContemporary LandscapeEnergy And Nature
I don’t just paint faces.
I paint what pulses beneath the skin.
I was born in Rimini, Italy, where the sea and history shape the soul. I studied at the Istituto d’Arte Scuola del Libro in Urbino, then trained in illustration in Venice with Emanuele Luzzati and in Sarmede with Arcadio Lobato. My passion for large-scale painting led me to Florence, where I studied the ancient fresco technique.
For nearly a decade, I lived in London, collaborating on handmade ceramic murals and private pools for the Emirates market. Today I work in my studio in Rimini, alongside my sister Catia, creating unique ceramic and wood pieces — and painting what cannot be said in words.
My paintings explore the symbolic power of the face. Each portrait is not a likeness, but a vibration, a map of inner emotion. I work instinctively with a wide range of materials — oil, acrylic, tar, gold leaf, metallic foils, solvents, and whatever the process calls for. I let matter guide me: textures emerge, dissolve, resist, reflect. The surface becomes a ritual site — alive, layered, and emotional.
My artistic philosophy is rooted in experimentation and raw expressiveness. I embrace imperfection, contradiction, and the uncontrolled beauty of the unexpected. This gave birth to my personal language: Grunge Art — a visceral, mixed-media approach inspired by the emotional authenticity of Seattle’s grunge movement. My materials are not passive tools — they are living participants in the creation.
I don’t seek conventional beauty — I seek emotional truth.
My art is a visual alchemy of chaos and control, light and shadow.
Each piece is an invitation: to feel deeply, to see yourself reflected, and to connect beyond appearances.
I also offer commissioned portraits from photographs.
But don’t expect a copy.
Expect something that looks like you — more than you might want to admit.
