Nuvole 1998 (1998) 图画 由 S C H A S C I A

Disegno su cartoncino tecnica carboncini e matita, disegno fatto nel 1998.

This image comes from a reflection on emptiness and balance, but also on the thin line between reality and dream. I was interested in building a suspended, rarefied space, where architecture and everyday objects lose their function to become silent symbols.

The orange plane, almost a springboard towards nothingness, cuts the air like a lucid thought looking for a hold. On it, a champagne glass - exaggerated in its proportions and made almost ethereal by its transparency - imposes itself as an enigmatic presence: something that speaks of waiting, of failed celebration, of fragility.

Next to it, a tower with a large circular void in the center. The figures at the top are small, distant, perhaps observers, perhaps prisoners of their own point of view. The staircase, apparently functional, is there to suggest a direction, but not an answer.

In the sky, soft clouds move slowly, timelessly. It is a mental landscape more than real, an interior of the soul disguised as an exterior. All the elements – the glass, the tower, the sky – are in balance, as in a lucid dream in which nothing is truly stable.

I did not want to tell a specific story, but rather to suggest an interior condition: that suspension that one feels in front of the unknown, the mystery of simple things when they are isolated from the context.

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