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Bardot Cowgirl (2023) 绘画 由 Russell Young
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原创艺术品 (One Of A Kind)
绘画,
丙烯
/
丝网印刷
在帆布上
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外形尺寸
63.4x44.5 in
单独工作的尺寸,不带框架: 高度 61.8in, 宽度 42.9in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (Floating Frame)
- 分类 画作 从US$20,000 波普艺术 名人肖像
Peinture acrylique, encre à base d'huile et sérigraphie tirée à la main avec poussière de diamant sur lin, dimensions non encadrées 62 x 43 pouces, 2023, de la série.
Noir et blanc, signé à la main par l'artiste.
Provenance : atelier de l'artiste.
L'œuvre capte le charisme naturel et la féminité audacieuse de Bardot, la représentant à la fois comme muse et mythe. La surface scintillante ajoute profondeur et texture, mettant en lumière l'interaction entre le charme de la célébrité et la vulnérabilité sous-jacente que Young explore tout au long de son travail.
相关主题
Art PopPoussière De DiamantArt FiguratifBardotBrigitte Bardot
Russell Young is a contemporary Anglo-American artist, renowned for his large-scale silkscreen works exploring the themes of celebrity, cultural icons, and the American Dream in all its complexity.
Born in 1959 in Yorkshire, England, his unstable childhood deeply influenced his view of society, leading him to question the mechanisms of the cult of image and notoriety.
In the early 2000s, Russell Young turned to the visual arts and developed a unique style: silkscreen portraits of iconic figures such as Marilyn Monroe, Elvis Presley, and Brigitte Bardot, often covered in diamond dust.
His works, both seductive and tragic, question the duality between dazzling glamour and the cracks of celebrity.
Cult series such as Pig Portraits show how the artist deconstructs icons to reveal fragility, while freezing them in a striking aesthetic.
Russell Young exhibits worldwide, notably at the Modern Art Museum in Shanghai and the Multimedia Art Museum in Moscow.
His works are featured in prestigious private and public collections, including the Getty Museum and even the White House.
Russell Young's work is part of the legacy of American Pop Art. He draws inspiration from Andy Warhol, whose reflections on celebrity and visual consumption he extends, while adding a more pronounced emotional dimension.
There are also echoes of Richard Prince and Robert Rauschenberg, filtered through a contemporary sensibility that blends nostalgia, decadence, and Hollywood aesthetics.
His use of diamond dust is not simply ornamental: it acts as a visual filter that draws the eye, while questioning the very surface of the image.