Lease Картины by Tatiana Kolupaeva

Аренда произведения « Village In Tver » пользователем Tatiana Kolupaeva с возможностью покупки

Картины от Tatiana Kolupaeva доступны для аренды с возможностью покупки.

Картина под названием "Village in Tver" - Tatiana Kolupaeva, Подлинное произведение искусства, Масло Установлен на Деревянна…
Village in Tver (2020)
Картина - Tatiana Kolupaeva - 15,8x18,9 in
903,01 $

Выберите ежемесячные платежи:

Ежемесячные платежи
74,96 €+НДС
Остаточная стоимость
25,21 €+НДС
Налоговая экономия
277,59 €+НДС
Общая стоимость
722 €+НДС
Ежемесячные платежи
43,72 €+НДС
Остаточная стоимость
25,21 €+НДС
Налоговая экономия
298,97 €+НДС
Общая стоимость
776 €+НДС
Ежемесячные платежи
30,3 €+НДС
Остаточная стоимость
25,21 €+НДС
Налоговая экономия
310,94 €+НДС
Общая стоимость
805 €+НДС
Ежемесячные платежи
24,22 €+НДС
Остаточная стоимость
25,21 €+НДС
Налоговая экономия
331,46 €+НДС
Общая стоимость
856 €+НДС
* Это только ориентировочное моделирование. Предложение по контракту будет отправлено вам после изучения ваших подтверждающих документов и проверки вашего файла нашим финансовым партнером.

Запрос информации по лизингу "Village In Tver"

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Часто задаваемые вопросы

What are the advantages of leasing works of art?

  • Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
  • Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.

How are the prices of monthly payments for leasing works of art set?

  • The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.

Can we buy the work after the leasing period?

  • Yes, on Artmajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).

How are the safety and insurance of works managed?

  • Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.

What are the conditions for terminating the leasing contract before its end?

  • Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.

Подробнее

Village in Tver (2020)
Картина - Tatiana Kolupaeva - 15,8x18,9 in
Картина под названием "Village in Tver" - Tatiana Kolupaeva, Подлинное произведение искусства, Масло Установлен на Деревянна…

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I came to art as a Mature and accomplished person. On the one hand, it is too late for the full realization of myself as an artist in the remaining period of time, on the other hand, I had a strong desire and[...]

I came to art as a Mature and accomplished person. On the one hand, it is too late for the full realization of myself as an artist in the remaining period of time, on the other hand, I had a strong desire and belief that I need to do painting. Clarity and satisfaction for me lies in honest full-scale drawing, in the study of living and inanimate nature, in the study of animate objects. As an artist, I prefer working closely with the model. Often this is plein air drawing, in the technique of a La prima, during which I live for several hours in this physical space, in this geographical place. I postulate this as one of the ways to study the world, learn about nature, and at the same time transfer your experiences to the canvas. No less attractive to me is inanimate nature, still lifes, as something new and quickly fading, something extremely attractive and rapidly escaping. For an artist who lives in a modern digital world in which information, visual images, contacts, and people move at great speeds, it is very important to pause in a world where there are no borders. You can stop in front of nature, freeze for a moment in the city, or calm down in front of the living and warm. It is important for me to devote myself to this object, phenomenon, and become a part of the environment for some time. I think less about the audience than I do about my own feelings. I am the viewer, eagerly snatching pieces from the matrix of life, trying to arrange them into a complex infinite puzzle of my own feelings. The materiality of what is happening I reflect on the use of materials - oil paints, oil pastels, canvases, thick paper-this creates a sense of security, fullness, and forms a clear connection between human hands and the objects depicted.

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