'composites of colour, pattern, shape and line' (2024) 数字艺术 由 Rosemary Collard
“艺术”在纸上打印
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光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
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艺术图片银行-
该作品是“开放版”
数字艺术,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 抽象主义 抽象主义
I've called it 'composites of colour, pattern, shape and line' which best describes my intention as I worked.
One of my favourite ways of working is to colour in abstract shapes and embellish these shapes with patterning. I used to do this by physical means but I'm now able to do it digitally using Adobe Illustrator.
It may not be possible to make sense of it in a traditional way but for me its the process which is important which could be described as a form of meditation - concentrating solely on the effects created when several elements are brought together in the one picture plane. Perhaps this is my escape and relaxation.
相关主题
Rosemary Collard (b.1948, d.2025) was an abstract digital artist. Born and raised in Western Australia, she later moved to Tasmania, Australia.
Inspired by the work of Kandinsky, her long-held goal was to develop an abstract style of her own.
An advocate of the art of subconscious doodling, she began most work in this manner, creating what appeared to be random chaos. The challenge was to create a plausible image from this starting point. Titles were important and often revealed as the work progresses.
She made the transition from physical to digital art after seeing its potential in the mid-1990s. Since then, she had worked exclusively on the computer, developing her skills and artworks, contract works and commissions.
