Shaping Colour - 230804.5.4 (2023) Digitale Kunst door Rosemary Collard

Fine art papier, 8x8 in
  • Dit werk is een "Open Edition" Digitale Kunst, Giclée / Digitale afdruk
  • Dimensies Verschillende maten beschikbaar
  • Verschillende ondersteuningen beschikbaar (Fine art papier, Bedrukkingen op Metaal, Canvas Print)
  • Framing Framing beschikbaar (Zwevend frame + onder glas, Frame + onder acrylglas)
  • Staat van kunstwerk Het kunstwerk is in perfecte staat
  • Categorieën Abstracte Kleurrijk
It's my habit to take time to concentrate on inventing new compositions. A collection will result which I like to think about before going to colour. As the file number indicates it was prepared early in August but it was only today that I was inspired to develop it further. The palette I created especially for it perhaps to match the reflective mood [...]
It's my habit to take time to concentrate on inventing new compositions. A collection will result which I like to think about before going to colour.
As the file number indicates it was prepared early in August but it was only today that I was inspired to develop it further. The palette I created especially for it perhaps to match the reflective mood I was in.

Verwante thema's

DesignCompositionAbstractMauveGreen

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Rosemary Collard (b.1948, d.2025) was an abstract digital artist. Born and raised in Western Australia, she later moved to Tasmania, Australia. Inspired by the work of Kandinsky, her long-held goal was to develop [...]

Rosemary Collard (b.1948, d.2025) was an abstract digital artist.  Born and raised in Western Australia, she later moved to Tasmania, Australia.

Inspired by the work of Kandinsky,  her long-held goal was to develop an abstract style of her own.

An advocate of the art of subconscious doodling, she began most work in this manner,  creating what appeared to be random chaos.  The challenge was to create a plausible image from this starting point. Titles were important and often revealed as the work progresses.   

She made the transition from physical to digital art after seeing its potential in the mid-1990s.  Since then, she had worked exclusively on the computer, developing her skills and artworks, contract works and commissions.



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