Glitch 003: Flux (2023) 数字艺术 由 Romeo Madonna

美术纸, 8x8 in

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艺术图片银行
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 艺术品状况 艺术品完好无损
  • 分类 抽象主义 虚荣
Exploring the delicate interplay between ephemeral beauty and the transient nature of life, “Glitch 003: Flux” emerges as a contemplative digital artwork. An orchestration of vibrant orange flowers gracefully converges with a meticulously rendered human skull, creating an intimate dialogue with the viewer. Influenced by the expressive strokes of Cy [...]
Exploring the delicate interplay between ephemeral beauty and the transient nature of life, “Glitch 003: Flux” emerges as a contemplative digital artwork. An orchestration of vibrant orange flowers gracefully converges with a meticulously rendered human skull, creating an intimate dialogue with the viewer. Influenced by the expressive strokes of Cy Twombly, the digital canvas becomes a visual journey, guiding contemplation through deliberate strokes and nuanced doodles. The color palette, a harmonious blend of bold pinks, yellows, greens, and alabasters, takes an explorative turn with the predominant presence of orange, marking a departure for the artist. The recurrent motif of the skull, a personal archetype, anchors the composition, inviting reflection on life's transient essence. Purposeful interruptions and glitches, aligned with the πάντα ῥεῖ (panta rhei) philosophy, impart a subtle emotional resonance, acknowledging the inherent turbulence within existence. A predominant decisive orange stroke, delicately smudged, graces the skull, while white daisies with purple heads symbolize the delicate balance between life and death. In this digital realm, where painted strokes transcend precise cutting, “Glitch 003: Flux” offers a nuanced exploration, creating an emotionally charged narrative within the realm of contemporary digital art.

相关主题

VanitasDigital ArtFloral AbstractionGlitch AestheticsContemporary Collage

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Romeo Madonna (London, 1987) is a collage artist currently living and working in Florence, Italy. Entirely self-taught, he explores collage—both digital and analog—not only as a medium of expression, but as a [...]

Romeo Madonna (London, 1987) is a collage artist currently living and working in Florence, Italy.

Entirely self-taught, he explores collage—both digital and analog—not only as a medium of expression, but as a method of investigation and the synthesis of a broader philosophical inquiry.

After studying Film at Roma Tre University with the initial intention of becoming a screenwriter, he later attended the Accademia di Belle Arti, drawn by a fascination with engraving and traditional printmaking techniques.

His background in mixology and luxury retail has subtly shaped the aesthetics and narratives of his work, blending digital experimentation with tactile, manual processes.

Recurring themes in his practice include time, beauty, identity, and mortality—filtered through a personal, contemporary lens often marked by poetic dissonance and symbolic layering.

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