Golden Shower (2022) 数字艺术 由 Romeo Madonna

美术纸, 11x8 in
  • 该作品是“开放版” 数字艺术, GicléePrint / 数字打印 在纸上
  • 外形尺寸 几种尺寸可供选择
  • 独家支持 (美术纸, 金属上的印刷, 画布上打印)
  • 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
  • 艺术品状况 艺术品完好无损
  • 分类 形象艺术 色情裸体
This piece again focus on the concept of a 'mask'. A beauty mask is used as a flourishing tool to enhance our beautiful and good-looking skin. Different ingredients will help us to present our best selves. But a mask is also used to conceal from view and present us in a less personal way. I have always have been fascinated by queer history and how [...]
This piece again focus on the concept of a 'mask'. A beauty mask is used as a flourishing tool to enhance our beautiful and good-looking skin. Different ingredients will help us to present our best selves. But a mask is also used to conceal from view and present us in a less personal way. I have always have been fascinated by queer history and how homosexuals found different ways to communicate secretly through codes - the hanky code is one example of that.
I am curious about what viewers will feel/think about this piece, because I have been focusing in juxtaposition of the flowing flowers with the explicit material.

相关主题

FlowersQueerGayHomoMen

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Romeo Madonna (London, 1987) is a collage artist currently living and working in Florence, Italy. Entirely self-taught, he explores collage—both digital and analog—not only as a medium of expression, but as a [...]

Romeo Madonna (London, 1987) is a collage artist currently living and working in Florence, Italy.

Entirely self-taught, he explores collage—both digital and analog—not only as a medium of expression, but as a method of investigation and the synthesis of a broader philosophical inquiry.

After studying Film at Roma Tre University with the initial intention of becoming a screenwriter, he later attended the Accademia di Belle Arti, drawn by a fascination with engraving and traditional printmaking techniques.

His background in mixology and luxury retail has subtly shaped the aesthetics and narratives of his work, blending digital experimentation with tactile, manual processes.

Recurring themes in his practice include time, beauty, identity, and mortality—filtered through a personal, contemporary lens often marked by poetic dissonance and symbolic layering.

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拼贴在帆布上 | 19.7x15.8 in
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