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| 1500 px | ||
|
1169 px |
| 文件尺寸 (px) | 1500x1169 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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所有在ArtMajeur的图像是由艺术家创作的原创作品，所有权利是严格保留的。获得许可证后有权根据相应条款使用或利用图像。可以进行微小的修改，如重构或重新聚焦图像，使其完全符合新项目要求，但是，禁止进行任何可能损害原始作品的修改。其完整性（形状修改，扭曲，切割，改变颜色，添加元素等），除非事先从艺术家获得书面授权。
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艺术图片银行-
该作品是“开放版”
摄影,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 分类 表现主义 花
相关主题
Richard Eugene Puckett announced early in 2012 the Texas Chrysotype. This printing process finally achieved Herschel's vision from the earliest days of photography: grainless, gray scale, true continuous tone photographic images in pure gold. In rapid succession, Puckett announced the Ultimatype Supreme -- an impossible combination of gold and platinum -- then dry print out palladium and platinum. In 2016 he announced the Rhodiotype. A documentary about how he invented this entirely new printing process in rhodium, Magic Iron Rose, garnered a Remi at the 2017 Houston WorldFest International Film Fesitival. The Auridiotype -- a combination of gold and iridium --followed in 2017.
Puckett's processes for printing with noble metals have been published in View Camera magazine, on unblinkingeye dot com, and alternativephotography dot com. In October 2013 he presented the Texas Chrysotype at the Alternative Photography International Symposium in Santa Fe, New Mexico. Puckett maintains a youtube channel with his documentaries and short videos demonstrating many of his processes, including the award winning Magic Iron Rose.
New prints are in production as of October 2022. Puckett has largely abandoned printing on paper, choosing to print instead on toile and silk. Palladium and palladium-nickel are his primary media for printing on fabric. There is no particular reason for this choice of metals other than that he has so much palladium on hand.
