"USA, Houston, May 2002" (2002) 绘画 由 Rene Rietmeyer

油在纸上, 29.9x22.1 in
US$3,004.75
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  • 原创艺术品 (One Of A Kind) 绘画, 在纸上
  • 外形尺寸 33.5x25.6 in
    单独工作的尺寸,不带框架: 高度 29.9in, 宽度 22.1in
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  • 分类 画作 低于US$5,000 抽象主义
The work “USA, Houston, May 2002”, reflects the artists’ dialogue with his surroundings. The Dutch artist Rene Rietmeyer expresses his subjective personal relationship to the city of Houston within the larger setting of the United States. His works on paper do this with the use of shape, color, texture, composition and the choice of material. This [...]
The work “USA, Houston, May 2002”, reflects the artists’ dialogue with his surroundings. The Dutch artist Rene Rietmeyer expresses his subjective personal relationship to the city of Houston within the larger setting of the United States. His works on paper do this with the use of shape, color, texture, composition and the choice of material.

This object on paper is executed in oil color, applied by brush depending on the series, in many layers or spread in thick coats.
Rietmeyer states that: “The confrontation with your own existence as a human in relation to your own surroundings teaches you many things about priorities and values in life.

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Born in 1957 in ’s-Hertogenbosch, The Netherlands. After studying psychology in Innsbruck, (Austria), he was the founding director of a private art academy in Greece. Since 1994, he has been concentrating solely [...]

Born in 1957 in ’s-Hertogenbosch, The Netherlands. After studying psychology in Innsbruck, (Austria), he was the founding director of a private art academy in Greece. Since 1994, he has been concentrating solely on being an artist. From 1994 until now, numerous travels and longer stays in Japan, Germany, Canada, France, Ireland, The Netherlands and the USA, among other places.

After a phase of figurative painting while becoming acquainted with the work of fauvist artists, Rietmeyer developed in Southern France from 1997 on his own art form of the “Boxes”, stimulated by his getting to know American minimal art and the so-called new abstraction. The boxes are three-dimensional objects, most often painted on five sides, which are presented on the wall or on the floor in multi-part, variable installations. Although he works with many various materials, such as concrete, metal, glass, silicone and glue, nevertheless, oil paint remains his preferred material. Departing from the conviction that even a minimalist approach cannot produce a completely depersonalized, “objective” work of art free of emotion, Rietmeyer, with these Boxes (and since 1998, also with his “Objects on Paper”), dedicates himself to the task of making visible the subjectively felt effect of cities and landscapes. This comes about with the purely abstract formal means of color, form, material, surface structure, composition and the installation in space. 

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