Pittura intitolato "memorial2.jpg" da Rajan Krishnan, Opera d'arte originale, Olio

memorial2.jpg (2012) Pittura da Rajan Krishnan

Venduto

Siamo spiacenti, il file immagine che abbiamo per questa opera d'arte è troppo piccolo.
Contattaci con tutti i dettagli del tuo progetto e troveremo una soluzione con te.
Contattaci

Licenza digitale

Quest'immagine è disponibile per lo scaricamento con una licenza.

Licenza internet

32,32 USD

Licenza media

129,26 USD

Licenza commerciale

269,30 USD

Risoluzione massima: 1000 x 772 px

Scarica subito dopo l'acquisto

Gli artisti vengono pagati i diritti d'autore per ogni vendita

Venduto da Rajan Krishnan

Opera d'arte originale Pittura, Olio

Classificazione delle opere

Opera d'arte originale

Le opere d'arte originali sono tutte le opere considerate autentiche e non una copia o imitazione delle opere originali di un artista. Le opere d'arte originali possono essere qualsiasi tipo di pittura, scultura, performance o altro supporto. Esistono molti tipi di supporti originali. I supporti misti includono colori ad olio, acrilici e acquerelli. Per i dipinti di bottega che testimoniano l'artigianato, questa attribuzione deve essere più sfumata. Sebbene possano essere meno preziosi per vari motivi, le riproduzioni e le copie hanno avuto un enorme impatto sulla nostra esperienza. Raggiungono un pubblico più ampio rispetto agli originali e fungono da tonico contro la mercificazione. L'opera originale potrebbe riferirsi anche alla prima opera, che precede sempre tutte le altre. Può anche riferirsi a un prototipo oa un modello da cui si possono realizzare altre opere. Ogni opera ha grandi somiglianze con l'originale.
Dimensioni Altezza 84in, Larghezza 120in

After completing his MFA in painting at the Faculty of Fine Arts, M S University, Baroda, Rajan Krishnan made a conscious decision to return to his natal state of Kerala to further hone his painterly practice. Krishnan's work bears a direct connection to his locality and his canvasses often reveal an intense interest in the dialogical possibilities of painting. In keeping with this, for nearly a decade, he has actively explored the relationships between history and memory, the natural and the human-made environment, and the collective and the individual. His post-apocalyptic canvases of 2006-2009 tended to cloak decayed landscapes and fragmented land forms in an earthy palette to create visual cautionary tales about the dangers of unbridled development but, since 2010, he has abandoned the sombre in favour of the spectacular. Although his recent work continues to explore dualistic possibilities, he has now set his sight upon pitting the general against the specific in mammoth-scale studies of singular objects. Defying the typical methodologies of large scale paintings in which the broad strokes of the brush typically efface the finer details, Krishnan holds tight to the discrete elements, as a means by which to call into question both the logic of vision and our understanding of large scale representational practices.

A proposito di quest'opera: Classificazione, tecniche & Stili

Olio

Vernice composta da pigmenti legati con olio di lino o garofani. La tecnica tradizionale consiste nel sovrapporre strati di vernice sempre più ricchi di olio per un gancio solido e resistente.

Tecnico Pittura

La pittura è una forma d'arte di pittura su una superficie applicando esteticamente fluidi colorati. I pittori rappresentano un'espressione molto personale su supporti come carta, roccia, tela, legno, corteccia, vetro, cemento e molti altri substrati. Opera di rappresentazione o invenzione, la pittura può essere naturalistica e figurativa o astratta. Può avere contenuto narrativo, descrittivo, simbolico, spirituale o filosofico.

Temi correlati

Painting

Rajan Krishnan

India

Rajan M. Krishnan was born 1967, in Thrissur district, Kerala. In 1989, he did a Bachelor’s in (Economics) from Calicut University, Kerala. After which he decided to follow his true calling and signed up for a B. F. A. (Painting) at the College of Fine Arts, Thiruvananthapuram. He completed his Bachelor’s in 1994, and thereon pursued a Master’s degree at the Faculty of Fine Arts, M. S. University, Baroda, which he completed in 1996. His first solo, Little Black Drawings, Mounted in 2004 at Kashi Art Gallery, Kochi was very well received.

One of the few Keralite artists who decided to go back home and work from there, Krishnan’s art has always been very sensitive to his environment, reflecting the socio-cultural ethos he inhabit and works from. Krishnan uses landscapes or elements from his immediate natural environment as his “principle protagonist” to express his innermost, aesthetic proclivities whether in celebration, homage or protest. While his earlier works were more realistic, featuring land/agriscapes typical of the topography in Kerala, of late however, his imagery has changed significantly. Krishnan works in a mode of realism that is significantly not based on images culled from the media or photographs made by the artist, his hyper-realism instead draws from memory, impressions, nostalgia and a sense of one’s shared inherited histories. Representing a “post-agriscape”, his later works are often, bleak, fragmentary visions of a dry, sterile landscape that seems to be an echo of a time which once buzzed with activity. “Instead of paddy, concrete and consumerist debris grow in these fields.” While his early experiences and memories of growing up in a remote village in Kerala have had a strong presence in his early works this slightly sentimental nostalgia, now seems to be giving way for a more hard hitting, cynicism that strives to document the sudden and overwhelming transitions occurring in his environment (that acts as a microcosm for the state of affairs in the country at large). These works make a clinical, examination, up close and unforgiving, at those “un-done landscapes” that he once held so dear.

The artists lives and works in Kerala.