Morning. Crowing rooster - animal portrait (2022) 绘画 由 Olga Bezlepkina

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卖家 Olga Bezlepkina

美术纸, 12x8 in
  • 原创艺术品 (One Of A Kind) 绘画, 水彩 在纸上
  • 外形尺寸 高度 32.7in, 宽度 21.7in
  • 艺术品状况 艺术品完好无损
  • 是否含画框 此作品未装裱
  • 分类 画作 低于US$1,000 表现主义
I like to get up early. Morning hours are the best. Now I wake up to the sound of an alarm clock, but I really miss living sounds: the sounds of a farm or garden, a rooster crowing, cows mooing, birds singing, the noise of tree branches or rain. These sounds energize my day. In this artwork, I tried to convey the energy of my perfect morning. 关于这件艺术品: [...]
I like to get up early. Morning hours are the best.
Now I wake up to the sound of an alarm clock, but I really miss living sounds: the sounds of a farm or garden, a rooster crowing, cows mooing, birds singing, the noise of tree branches or rain. These sounds energize my day.
In this artwork, I tried to convey the energy of my perfect morning.

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FarmRoosterSunriseMorningCrowing

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In my practice, I see urban spaces and landscapes as carriers of meaning. I observe the environment around me — the places where I live, where I walk every day. It’s important for me to feel a connection with [...]

In my practice, I see urban spaces and landscapes as carriers of meaning. I observe the environment around me — the places where I live, where I walk every day. It’s important for me to feel a connection with the place and its atmosphere. I believe that by paying attention to details — graffiti on a wall, shadows, litter, grass breaking through concrete — we can learn a lot about ourselves and the time we live in.

I’m especially drawn to places and buildings that have lost their function or original purpose. In this transitional state, they seem to exist somewhere between life and death — or perhaps between one life and another. I notice how they continue to live: altered by time, nature, and human presence. It might be an old factory, a workshop, or a house someone once left behind.

I look at them as living beings — with history, scars, and traces. My works form a visual diary where I record the states of these objects during their transformation.

My art is a way to ask, to remember, and to stay connected with what surrounds us — even if it seems insignificant.

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