“Havana – A Story in Light and Motion” (2019) 摄影 由 Oleksandr Ziankovich
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
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Usage： 网络许可证
| 1500 px | ||
|
1200 px |
| 文件尺寸 (px) | 1500x1200 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
该作品是“开放版”
摄影,
GicléePrint / 数字打印
- 外形尺寸 几种尺寸可供选择
- 独家支持 (美术纸, 金属上的印刷, 画布上打印)
- 是否含画框 有框架 (浮动框架+玻璃下, 框架+在丙烯酸玻璃下)
- 艺术品状况 艺术品完好无损
- 分类 局外人艺术 / Outsider Art 市
What drew me in was the contrast—not just of light and shadow, but of movement and stillness, youth and age, past and present. The city’s textures, the cracked paint, the warm, rich colors, all spoke of time and endurance. The way the sunlight shaped the composition felt almost deliberate, like a set designed by nature itself.
For me, street photography is about finding poetry in the ordinary, about capturing fleeting moments that tell a deeper story. This frame isn’t just about three people on a street; it’s about the essence of Havana—its soul, its quiet drama, its unspoken narratives.
相关主题
Born and raised in Belarus, now living and working in Ukraine, i am a street photographer dedicated to capturing the rhythm of urban life through candid, thought-provoking imagery.
I discovered street photography in 2017, initially as a way to add more movement to my daily routine. What started as a casual hobby quickly evolved into a profound passion. My primary profession as a computer graphics artist has significantly influenced my photographic work, enhancing appreciation for color, light, and composition. So, my journey into photography began as a natural extension of my background in computer graphics. Working with digital visuals sharpened my eye for color, composition, and contrast, but I soon realized that real life offers its own raw and unpredictable beauty. Street photography became my way of exploring that spontaneity, searching for fleeting moments that tell untold stories.
In 2020, the socio-political events in Belarus profoundly impacted my perspective and work. Initially focused on street photography, I found myself transitioning into photojournalism to document the unfolding events. This shift was not without personal consequences; I faced detentions and experienced the harsh realities of political unrest. These experiences deepened my understanding of the power of visual storytelling and reinforced my commitment to capturing authentic moments.
Due to the increasing pressure from the Belarusian government on independent journalists and photographers, I was forced to leave the country. Seeking new environments and narratives, I relocated to Odesa, Ukraine, in Fabruary 2022. The city’s vibrant culture and complex history have provided rich material for my work. However, the onset of conflict in Ukraine presented unforeseen challenges. Despite the circumstances, I chose to remain in Odesa, aiming to document the resilience and spirit of its people during these trying times. This decision underscores my belief in the role of photographers as witnesses to history, capturing both the beauty and adversity of human experiences.
One of my notable works during this period is the photograph titled “Train to Przemyśl,” depicting a young girl at the Odesa train station holding a pet carrier. This image encapsulates the innocence and vulnerability of those affected by the conflict and has resonated with many for its poignant portrayal of displacement.
Today, I continue to document the subtle complexities of human interactions and cultural landscapes, contributing to the evolving visual narrative of contemporary Ukraine.
