Time of crane bird (2024) Schilderij door Oleg Kateryniuk

Olie op Canvas, 45,3x53,2 in
US$ 6.735,02
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Gemonteerd op Frame voor houten brancard
"Time of Crane Bird" is a captivating oil painting that harmoniously blends elements of traditional Japanese culture with the natural world. The central figure in the composition is a sumo wrestler, captured in a dynamic and ritualistic pose, squatting low with his arms outstretched. His muscular back and traditional sumo attire are rendered with meticulous [...]
"Time of Crane Bird" is a captivating oil painting that harmoniously blends elements of traditional Japanese culture with the natural world. The central figure in the composition is a sumo wrestler, captured in a dynamic and ritualistic pose, squatting low with his arms outstretched. His muscular back and traditional sumo attire are rendered with meticulous detail, emphasizing the physicality and discipline inherent in the sport. The background is a textured, neutral tone that enhances the focus on the central figure and the surrounding elements without distraction. To the left of the sumo wrestler, a delicate bamboo stalk rises, on which a small bird is perched. The bamboo and bird are depicted with fine, precise brushstrokes, symbolizing resilience and grace. To the right, a crane bird is depicted in mid-flight, its wings gracefully spread as it soars upwards. The crane, often a symbol of longevity and good fortune in Japanese culture, adds a sense of elegance and tranquility to the composition. Above the sumo wrestler, a beautifully twisted bonsai tree completes the scene, representing harmony, balance, and nature's intricate beauty. The painting's palette is predominantly composed of earthy tones and soft pastels, which contribute to the overall serene and contemplative mood of the piece. The detailed rendering of the sumo wrestler’s skin, the texture of the bamboo, the feathers of the birds, and the delicate branches of the bonsai tree showcase the artist’s skill and attention to detail. "Time of Crane Bird" can be interpreted as a meditation on balance, strength, and the interconnectedness of all living things. The sumo wrestler, grounded and powerful, contrasts with the light, airborne crane, suggesting a balance between earth and sky, strength and grace, human effort and natural beauty. The inclusion of the bonsai tree and bamboo further emphasizes themes of resilience, patience, and harmony. The painting invites viewers to reflect on the juxtaposition of human endeavor and the natural world, and to appreciate the quiet moments of beauty and balance that can be found in everyday life. This oil painting masterfully combines elements of traditional Japanese culture with natural motifs to create a serene and thought-provoking composition. "Time of Crane Bird" is a testament to the artist’s ability to capture the essence of both strength and delicacy, inviting viewers to contemplate themes of balance, harmony, and the intricate connections between all aspects of life.

Verwante thema's

Нео-РеализмМужчинаБорецСумоЯпония

Automatisch vertaald
Pop Art нео-реализм мужчина борец сумо Япония спорт национальные традиции сюрреализм
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Oleg Kateryniuk Portret
Oleg Kateryniuk
Oekraïne
Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine [...]

Born on September 1, 1969 in the village of Krolivka, Popilnyanskyi district, Zhytomyr region.He received his first artistic skills at the Zhytomyr Art School under the guidance of the Honored Artist of Ukraine Viktor Mykolayovych Shkurinsky.In 1986 he entered the Dnipropetrovsk State Art School named after Vuchetich at the art and pedagogical department.In 1991 he graduated from the Dnipropetrovsk State Art School, workshop of Hryhoriy Oleksandrovych Cherneta, and defended his diploma as an artist-teacher with the painting "Theatre" in 1991.In 1991-1992 he taught drawing, painting and composition at the Children's Art School No. 2 in Kryvyi Rih.In 1992, he entered the Ukrainian Academy of Arts and Architecture at the Faculty of Painting, Department of Restoration of Works of Monumental and Easel Painting.1995-96 academic year - study/internship at the University of Granada (Spain) at the Faculty of Fine Arts.In 1998, he graduated from the Ukrainian Academy of Arts and Architecture with honors, defending his restoration work on the 19th century canvas "The Disbelief of Thomas" and the large icon of Nicholas the Wonderworker (late 18th - early 19th centuries) from the Church of St. Nicholas, located in Kyiv on Podil.In 1998, after graduation, he remained to work at the Academy as a teaching master at the Restoration Department.In the same year, he tried to enter the Academy's Master's Program, but it didn't work out.. there were no places for the Restoration Department..Since 2000, he has worked for a long time as an artist-designer, graphic designer in international and Ukrainian companies (ALTA Eastern Europe, RA "Desyatka", Microsoft Ukraine, Corestone Group)Since 2018, he finally returned to painting.In May-June 2020, the first personal exhibition "Small Places" was held at the Museum of Ancient Pottery of the Vyshgorod National Reserve.In 2021, the work “Prayer for Venice” received the Laureate’s Diploma at the First International Triennial “In the Land of Gray Pearls” 2020-2021 (all-Ukrainian project-competition ART-NOVA, Kremenchuk)Since 2021, a member of the National Union of Artists of UkraineIn 2023, at the First International Triennial of Drawing “Glory to Ukraine” at the Central Art Center “White World”, the graphic work “Fate of War” received the MEDAL OF HONOR.I am married and have a son with my wife.

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