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Existing in one's Nullity (BT329/330) (2025) 绘画 由 Noël Van Hoof
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使用SSL证书进行100%安全付款 + 3D Secure.
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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Usage: 网络许可证
1253 px | ||
![]() |
1500 px |
文件尺寸 (px) | 1253x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
水彩
在纸板上
-
外形尺寸
19.7x15.8 in
单独工作的尺寸,不带框架: 高度 14.2in, 宽度 11.8in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (框架+玻璃下)
- 分类 画作 低于US$1,000 插图 男性裸体
Care is Being-towards-death. We have defined “anticipatory resoluteness” as authentic Being towards the possibility which we have characterized as Dasein's utter impossibility. In such being-towards-its-end, Dasein exists in a way which is authentically whole as that entity which it can be when 'thrown into death'. This entity does not have an end at which it just stops, but it exists finitely. The authentic future is temporalized primarily by that temporality which makes up the meaning of anticipatory resoluteness; it thus reveals itself as finite. But 'does not time go on' in spite of my own no-longer-Dasein? And can there not be an unlimited number of things which still lie 'in the future' and come along out of it?
We must answer these questions affirmatively. In spite of this, they do not contain any objections to the finitude of primordial temporality – because this is something which is no longer handled by these at all. The question is not about everything that still can happen 'in a time that goes on', or about what kind of letting-come-towards-oneself we can encounter 'out of this time', but about how “coming-towards-oneself” is, as such, to be primordially defined. Its finitude does not amount primarily to a stopping, but is a characteristic of temporalization itself. The primordial and authentic future is the “towards-oneself” (to oneself!), existing as the possibility of nullity, the possibility which is not to be outstripped. The ecstatical character of the primordial future lies precisely in the fact that the future closes one's potentiality-for-Being; that is to say, the future itself is closed to one, and as such it makes possible the resolute existentiell understanding of nullity. Primordial and authentic coming-towards-oneself is the meaning of existing in one's ownmost nullity. In our thesis that temporality is primordially finite, we are not disputing that 'time goes on'; we are simply holding fast to the phenomenal character of primordial temporality – a character which shows itself in what is projected in Dasein's primordial existential projecting.
(Translation by John Macquarrie and Edward Robinson)
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Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.