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Thrownness into the “nothing” (BT276/277) (2025) 绘画 由 Noël Van Hoof
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“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色(超过100年),其质量,深度和细微差别超过了在Argentic纸上的经典照片打印。

光面漆
纤维纸除了具有非凡的厚度外,还由不含酸的α-纤维素基底组成,并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色,不泛黄,特别设计用于抵抗老化。它具有出色的分辨率,呈现深沉的色彩,因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。

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Usage: 网络许可证
1263 px | ||
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1500 px |
文件尺寸 (px) | 1263x1500 |
全球使用 | 是 |
用于多点支持 | 是 |
用于任何类型的媒体 | 是 |
转售权 | 没有 |
最大打印数量 | 0 (Zero) |
拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
水彩
在纸板上
-
外形尺寸
19.7x15.8 in
单独工作的尺寸,不带框架: 高度 14.2in, 宽度 11.8in - 艺术品状况 艺术品完好无损
- 是否含画框 这件作品是诬陷 (框架+玻璃下)
- 分类 画作 低于US$1,000 插图 奇妙
Existent Dasein does not encounter itself as something present-at-hand within-the-world. But neither does thrownness adhere to Dasein as an inaccessible characteristic which is of no importance for its existence. As something thrown, Dasein has been thrown into existence. It exists as an entity which has to be as it is and as it can be.
That it is factically, may be obscure and hidden as regards the “why” of it; but the “that-it-is” has itself been disclosed to Dasein. The thrownness of this entity belongs to the disclosedness of the 'there' and reveals itself constantly in its current state-of-mind. This state-of-mind brings Dasein, more or less explicitly and authentically, face to face with the fact 'that it is, and that it has to be something with a potentiality-forBeing as the entity which it is'. For the most part, however, its mood is such that its thrownness gets closed off. In the face of its thrownness Dasein flees to the relief which comes with the supposed freedom of the they-self. This fleeing has been described as a fleeing in the face of the uncanniness which is basically determinative for individualized Being-in-the-world. Uncanniness reveals itself authentically in the basic state-of-mind of anxiety; and, as the most elemental way in which thrown Dasein is disclosed, it puts Dasein's Being-in-the-world face to face with the “nothing” of the world; in the face of this “nothing”, Dasein is anxious with anxiety about its ownmost potentiality-for-Being. What if this Dasein, which finds itself [sich befindet] in the very depths of its uncanniness, should be the caller of the call of conscience?
Nothing speaks against this; but all those phenomena which we have hitherto set forth in characterizing the caller and its calling speak f o r it.
In its “who”, the caller is definable in a 'worldly' way by nothing at all. The caller is Dasein in its uncanniness: primordial, thrown Being-in-the-world as the “not-at-home”- the bare 'that-it-is' in the “nothing” of the world. The caller is unfamiliar to the everyday they-self; it is something like an alien voice. What could be more alien to the “they”, lost in the manifold 'world' of its concern, than the Self which has been individualized down to itself in uncanniness and been thrown into the “nothing”? 'It' calls, even though it gives the concernfully curious ear nothing to hear which might be passed along in further retelling and talked about in public. But what is Dasein even to report from the uncanniness of its thrown Being? What else remains for it than its own potentiality-for-Being as revealed in anxiety? How else is “it” to call than by summoning Dasein towards this potentiality-for-Being, which alone is the issue?
(Translation by John Macquarrie and Edward Robinson)
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Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.