The Sun, the Clock and Temporality (BT413) (2024) 绘画 由 Noël Van Hoof

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Martin Heidegger – Being and Time – BT413. The sun dates the time which is interpreted in concern. In terms of this dating arises the 'most natural' measure of time – the day. And because the temporality of that Dasein which must take its time is finite, its days are already numbered. Concernful awaiting takes precaution to define the 'thens' with [...]
Martin Heidegger – Being and Time – BT413

The sun dates the time which is interpreted in concern. In terms of this dating arises the 'most natural' measure of time – the day. And because the temporality of that Dasein which must take its time is finite, its days are already numbered. Concernful awaiting takes precaution to define the 'thens' with which it is to concern itself – that is, to divide up the day. And the 'during-the-daytime' makes this possible. This dividing-up, in turn, is done with regard to that by which time is dated – the journeying sun. Sunset and midday, like the sunrise itself, are distinctive 'places' which this heavenly body occupies. Its regularly recurring passage is something which Dasein, as thrown into the world and giving itself time temporalizingly, takes into its reckoning. Dasein historizes from day to day by reason of its way of interpreting time by dating it – a way which is adumbrated in its thrownness into the “there”.
This dating of things in terms of the heavenly body which sheds forth light and warmth, and in terms of its distinctive 'places' in the sky, is a way of assigning time which can be done on our Being with one another 'under the same sky', and which can be done for 'Everyman' at any time in the same way, so that within certain limits everyone is proximally agreed upon it. That by which things are thus dated is available environmentally and yet not restricted to the world of equipment with which one currently concerns oneself. It is rather the case that in the world the environing Nature and the public environment are always discovered along with it. This public dating, in which everyone assigns himself his time, is one which everyone can 'reckon' on simultaneously; it uses a publicly available measure. This dating reckons with time in the sense of a measuring of time; and such measuring requires something by which time is to be measured – namely, a clock. This implies that along with the temporality of Dasein as thrown, abandoned to the 'world', and giving itself time, something like a 'clock' is also discovered – that is, something ready-to-hand which in its regular recurrence has become accessible in one's making present awaitingly. The Being which has been thrown and is alongside the ready-to-hand is grounded in temporality. Temporality is the reason for the clock. As the condition for the possibility that a clock is factically necessary, temporality is likewise the condition for its discoverability. For while the course of the sun is encountered along with the discoveredness of entities within-the-world, it is only by making it present in awaintingly retaining, and by doing so in a way which interprets itself, that dating in terms of what is ready-to-hand environmentally in a public way is made possible and is also required.

Translation by John Macquarrie and Edward Robinson)

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Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are [...]

Most of my paintings are inspired by books or music, they are a tribute to a certain author, philosopher, composer or artist and his/her work. Reproductions of my works are for sale by Artmajeur. People who are interested in the original work can send me a message. The ecoline paintings are framed (light oak or black aluminum), they have a passe-partout and a plate of glass on the front. Oil paintings have a wire on the back so they can be hung.

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