卖家 Njoy
“艺术”在纸上打印
这是使用非常高质量的颜料墨水在美术纸上打印并以很高的清晰度打印的过程。它的保存水平非常出色（超过100年），其质量，深度和细微差别超过了在Argentic纸上的经典照片打印。
光面漆
纤维纸除了具有非凡的厚度外，还由不含酸的α-纤维素基底组成，并覆盖有硫酸钡和在印刷过程中具有微孔层吸收作用的颜料。这款纸色为纯白色，不泛黄，特别设计用于抵抗老化。它具有出色的分辨率，呈现深沉的色彩，因此已被世界各大博物馆所采用。
Art Print“美术”-在325 g纤维原纸上的光泽处理。
我们的高端印刷品和复制品
ArtMajeur仅使用从知名造纸商中精选的具有中性pH，耐性和高质量的天然纸！
无论是在色彩控制还是在图形链方面，我们的主打印机一直都在关注。我们对质量的高要求是ArtMajeur裱框艺术品的主要资产。
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Usage： 网络许可证
| 1171 px | ||
|
1500 px |
| 文件尺寸 (px) | 1171x1500 |
| 全球使用 | 是 |
| 用于多点支持 | 是 |
| 用于任何类型的媒体 | 是 |
| 转售权 | 没有 |
| 最大打印数量 | 0 (Zero) |
| 拟出售的产品 | 没有 |
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艺术图片银行-
原创艺术品 (One Of A Kind)
图画,
中性笔
在纸上
- 外形尺寸 高度 11in, 宽度 8in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 观念艺术 鸟
More peacocks coming!
相关主题
PUEBLO, Colorado 2023
PARIS 2004
My work has revolved primarily around people for the last six years. I'm a teacher and always observing and studying people in real life and this helps me greatly intuitively when I am painting portraits. The portraits are painted on wood in oils with a laqué paint base to coat the wood before I start. The portraits to be seen on this site at the moment are Indian portraits. Alot of Hopi Indians, but I didn't do that on purpose. I am just naturally attracted to these Indians, especially the women and the medicine men-healers and warriors. lWhen I have the total vision of the person then I start to paint. I am currently working on (this was in 2002) a series of Asian portraits from all parts of Asia, but again I am especially attracted to Mongolian, Tibetan and Chinese personalities. Color and form are of course very important and sometimes, as is the case of the Indian woman draped in a many-colored blanket, the subject becomes more abstract. There is also a universal or global idea behind these portraits seeing bits and pieces of parts of ourselves when we paint portraits of others. I had an exposition of this group of paintings in March 2001 just outside of Paris.
June 2005 : As far as painting goes, I tend to agree with those that say little, and prefer to let the paintings speak for themselves, however I do think it is important to talk about what happens on the” inside” and particularly when we are propelled into another dimension through paint, colours and forms and when this propulsion becomes so intense that it becomes an every day occurrence and need, not a “sometime” or a “one time, from time to time” occurrence. I want to talk about what happens when we are on this particular path,( I see it within myself as well as in my students who have also chosen to use painting as a tool and a path.)
What seems to be important on this path is when there are “breakthroughs”… when all of sudden the “pieces” of what we have been working on for a short or a long time seem to coagulate into a mainstream idea within our own imagination.. This is an exciting feeling ! Like discovering a new land or a new space to explore.
Things also seem to “bottleneck” just before the breakthrough,meaning we have the impression of being in a space that is just too small and no longer comfortable..so of course the feeling of discovery is even greater. This is what has just happened with the “Collage” works on the .
All of sudden I started seeing how different paintings actually fit together into a whole in terms of colors, ideas and forms . Repeating the motif (in the form of the painting ) also help to increase the effect when you see the paintings re-united together. It is as though we were able to start painting the “pieces” of the master plan and then were able to see at last how these pieces all fit together. I know this is going to have an effect on future paintings. I don’t think it can be any other way as there has been a sort of ...
