First Supper (2025) 绘画 由 Ngendo
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艺术图片银行-
原创艺术品 (One Of A Kind)
绘画,
丙烯
/
布
/
线
在帆布上
- 外形尺寸 高度 48in, 宽度 72in
- 艺术品状况 艺术品完好无损
- 是否含画框 此作品未装裱
- 分类 画作 低于US$5,000 形象艺术 神话
Drawing loosely from a Kikuyu creation story, the work weaves together myth, personal memory, and material to reflect on the ways culture is continually in motion — shaped by what we inherit, what we encounter, and what we imagine.
Set in a liminal, celestial space where the earthly and the divine intersect, it resists static storytelling. Instead, it offers a living tableau—a dynamic family scene centered around women, with Agikuyu and Mumbi (Patriarch and matriarch), and their nine daughters presiding not as icons, but as vibrant, textured personalities. The baby tugging playfully at the tablecloth invites us to see the sacred through the lens of the everyday: full of humor, warmth, and movement. The scene illustrates a living rite of cultural inscription.
At the heart of the composition, the dinner table functions as a shared surface of cultural convergence—laden with foods both ancestral and global, where roast goat sits comfortably beside fast food. There is no hierarchy here, only a layered simultaneity where traditions, borrowed rituals, modern-day tastes and commercial goods (Corning Ware) coexist. Actual and painted materials—lace, Ankara, colonial-era hurricane lamps and Arabic lanterns—gesture to the plural, often contradictory ways culture is absorbed, inherited, or imagined. The supernatural elements, like oversized mushrooms and strange mounds and masquerade effigies , metaphorically speak to unseen roots and silent transmissions -connective ties. In embracing these multiplicities, First Supper offers a view of culture not as a fixed point, but as a vibrant, unfolding archive—one deeply personal, yet inextricably connected to the global and the unseen.
In this simultaneity of contradictions we find something approximating a view that is closer to home.
相关主题
Ngendo is a Canadian-Kenyan visual artist whose work spans the spectrum from the surreal to the familiar, incorporating intuitive imagery dreams and landscapes.
Her work highlights notions of connectivity; ours to the natural world, across cultures and geographic spaces, and through our own interpersonal relationships.
She sees culture as a shifting (social) landscape that calls for openness and curiosity. In her work, the natural world emerges as kindred to humans, mirroring the kinship shared among diverse cultures.
"The most beautiful experience we can have is the mysterious."
- Albert Einstein
IG: ngendostudio